ΦΙΛΟΜΑΘΕΙΑ (Philomatheia)

Contents

Anne Proctor Chapin: A Professional Overview – Robert Bauslaugh

Bibliography of Anne P. Chapin

Chapter 1: Introduction – Marie N. Pareja

Chapter 2: Seasonality in the Asphendou Petroglyphs – Thomas F. Strasser and Alexandra van der Geer

Chapter 3: The Deep State and the Minoan ‘Palaces’ in Crete: Bureaucracies as Constraining and Enabling Socio-Political Structures – Louise A. Hitchcock

Chapter 4: Behind Closed Doors of Minoan Shrines – Nanno Marinatos

Chapter 5: Problematic Patriarchal Perceptions: Saffron, ‘Fertility,’ and Xeste 3 at Akrotiri, Thera – Marie N. Pareja

Chapter 6: Rocky Landscapes: The Tell el Dabʿa Hunt Frieze and its Aegean Connections – Lyvia Morgan

Chapter 7: Minoan Transcorporeality: Female Bodies, Ritual, and Nature in Late Bronze Age Crete – Caroline Tully

Chapter 8: Brushwork, Banqueting Clothes, and Nature Painting: A Challenge to the Aegean-Egyptian Narrative – Nancy R. Thomas

Chapter 9: Decorated Plaster Tripod Offering Tables of the Aegean Late Bronze Age – Elizabeth Shank

Chapter 10: Ornamentation and Legitimation: The Kilt of a Participant in the Procession Fresco from Knossos – Leanna Kolonauski

Chapter 11: On Right-Handedness in the Aegean Bronze Age: Iconography and More… and Why This Can be Helpful for the Reconstruction of the ‘Lily Prince’ from Knossos – Fritz Blakolmer

Chapter 12: Monkey Business in the Grave of the Griffin Warrior at Pylos – Jack L. Davis and Sharon R. Stocker

Chapter 13: On the Axe-Adze with a Figure-of-Eight Shield Representation from the Tholos Tomb of Vapheio – Emilia Banou

Chapter 14: Smite Him Down: The Construction and Evolution of Minoan and Mycenaean Images of Power – Tenninger Kellenbarger

Chapter 15: Mind the Gap: A Note on Art and Frame in the Mycenae Cult Center – Emily Catherine Egan

Chapter 16: A Line of Genii: A Wall Painting From the Cult Centre at Mycenae – John G. Younger

Chapter 17: The Jewelled Garden of Nineveh: Cultivating Ideals and Illusions in Imperial Assyria – Karen Polinger Foster

About the Author

Marie N. Pareja (‘Nikki’) earned her MA (2013) and PhD (2015) in Aegean Prehistory from Temple University and is currently Assistant Professor of Art History at Salisbury University and Consulting Scholar for the University of Pennsylvania Museum of Archaeology and Anthropology. Nikki specializes in Bronze Age materiality and production technologies, iconography, and long-distance exchange. She is founder and executive director of the Aegean Bronze Age Study Initiative (ABASI), the Plasters Analysis Project (PLAN) at the UPenn, and the Indus-Aegean Bronze Age Research Network (IA-BARN) at Oxford. She serves as materials specialist for various Aegean sites: Mochlos, Sissi, Gournia, and Stelida. She and Lyvia Morgan study plaster from the Royal Road and South House at Knossos. Nikki is recipient of the Archaeological Institute of America’s 2027 Award for Excellence in Undergraduate Teaching.