Benjamin Anderson is assistant professor of the History of Art at Cornell University. He studies the visual and material cultures of the eastern Mediterranean and adjacent landmasses, with a particular focus on late antique and Byzantine art and architecture. His first book, Cosmos and Community in Early Medieval Art (Yale University Press, 2017), is a finalist for the 2018 Charles Rufus Morey Book Award of the College Art Association. The second, The Tragic Image: Fate and Form from Byzantium to the Baroque, will address the "Oracles of Leo the Wise" and related oracular images. He publishes regularly on the history of archaeology and the urban history of Constantinople. Anderson was David E. Finley Fellow at the Center for Advanced Study in the Visual Arts, National Gallery of Art (2009-12); and has received fellowships from the Deutscher Akademischer Austauschdienst, and the Kunsthistorisches Institut in Florenz (Max-Planck-Institut). He currently serves on the Governing Board of the Byzantine Studies Association of North America.
BOOKS BY THIS CONTRIBUTOR
Palmyra 1885: The Wolfe Expedition and the Photographs of John Henry Haynes
PALMYRA 1885, by Benjamin Anderson and Robert G. Ousterhout, is the first published record of the five fruitful days that father of American archaeological photography, John Henry Haynes, spent in Syria's ancient desert city, whose most important monuments were destroyed by the self-styled Islamic State in 2015. READ MORE