
H 290 x W 205 mm
199 pages
142 figures (colour throughout)
Published Aug 2026
ISBN
Paperback: 9781805833666
Digital: 9781805833673
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Paperback
£35.00
This volume examines depictions of tanbûr long-necked lutes in Persian, Ottoman and Mughal painting traditions. Through the study of Islamic art, it explores musical culture, elite society, cross-cultural influences and the accuracy of instrument representations across Western, Central and Southern Asia.
List of Figures and Credits
Foreword
Preface and Acknowledgements
General Introduction
Chapter 1 Painting in Islamic Art
Introduction
The Persian Painting Traditions
The Rise of the Safavid, Ottoman, and Indian Painting Traditions
Late Safavid, Ottoman, and Indian Painting
Chapter 2 Tanbûrs Pictured in Persian Paintings
Introduction
The Îl-Khânid Period
The Tîmûrid Age
The Safavid Era
The Qâjâr Phase
Chapter 3 Tanbûrs Pictured in Ottoman Paintings
Introduction
Early Ottoman Painting
Ottoman Painting
Late Ottoman Painting
Chapter 4 Tanbûrs Pictured in Indian Paintings
Introduction
Early Indian Painting
Indian Painting
Late Indian Painting
Glossary of Musical Instruments
Bibliography
Select Discography
Index
Hans de Zeeuw began taking bağlama lessons and became fascinated by its rich history. He dedicated many years to researching the bağlama, under the supervision of Dr. Leo Plenckers from the Department of Musicology at the University of Amsterdam and Dr. Okan Murat Öztürk from the Devlet Konservatuvarı at Başkent Üniversitesi in Ankara. He has published extensively on long-necked lutes, including Tanbûr Long-Necked Lutes along the Silk Road and beyond (2019), The Turkish Long-Necked Lute Saz or Bağlama (2020), and The Ottoman Tanbûr (2022), all published by Archaeopress.