Roman Copies of Classical and Hellenistic Sculptural Types from Macedonia

Contents

Acknowledgements

Introduction

1. History of the study of Roman copies: short overview  

2. Plan of the work and methodology  

Chapter One: Sculptural types

Aphrodite  

Apollo  

Artemis  

Asklepios and Asklepiads  

Athena  

Demeter  

Diomedes  

Dionysos and his thiasos  

Eros  

Heracles  

Herculaneum women  

Hermes  

Meleager  

Nemesis  

Chapter Two: Statuary Types Known Only from Variants

Aphrodite  

Hermaphrodite  

Cybele   

Epikouros  

Ganymede  

Muse (?)  

Sphinx   

Chapter Three: Archaeological Contexts

Private space  

Public space  

Sacred space  

Funerary space  

Chapter Four: Quarries and Workshops

Quarries and workshops in North-western Macedonia  

Quarries and workshops in Central-southern-western Macedonia  

Quarries and workshops in Central Macedonia  

Quarries and workshops in Eastern Macedonia  

Preliminary conclusions  

Chapter Five: Conclusions

Paeonia, Derropios, Pelagonia, Lyncestis, Almopia: general discussion  

Eordaia, Bottiea, Orestis, Elimeia, Pieria: general discussion  

Crestonia, Mygdonia, Chalkidike: general discussion  

Sintica, Odomantica, Edonide: general discussion  

Final overview  

Chapter Six: Catalogue  

1. Sculptures  

2. Reliefs

Bibliography

Appendices

About the Author

Fatima Silvestro studied Archaeology at Roma Tre University and specialised in Archaeological Heritage at the Inter-University School of Trieste, Udine, and Venice. She received her PhD in History and Archaeology at the Aristotle University of Thessaloniki. She has conducted fieldwork in Borgorose (Latium, Italy) and at the castle of Donoratico (Tuscany, Italy). Finally, she has worked at the Archaeological Museum of San Giovanni in Persiceto (Bologna) as a field archaeologist and laboratory assistant, and in the Special Superintendence for Archaeological Heritage of Rome as an archivist of the finds from the Palatine area.