Dogs in Athenian Sculpture and Vase Painting of the Archaic and Classical Periods

‘In sum, Katia Margariti’s work is an essential study for anyone interested not only in dogs, but also in animals in the ancient world. It not only substantially enriches our understanding of the Athenian case but, thanks to its methodological approach, also stands as a model for future research in other geographical and cultural contexts. Far from being merely a catalogue of iconographic types and themes, the book approaches dogs as animals in their own right and even offers glimpses into the emotional bonds that may have developed between dogs and humans. For all these reasons, the volume rightfully takes its place within the fields of art history, cultural history, and the study of animals in Antiquity.’ [translated] – Sebastián Uribe Rodríguez (2026): Gerión, 44(1)

‘I confess to being a dog lover, so I am particularly partial to the subject of this book. Dogs, like horses, played an essential role in the lives of ancient Athenians, and this study does justice to their variety, their charm, and their lifelong loyalty to their owners.’ - Jenifer Neils (2026): American Journal of Archaeology Volume 130

‘Overall, Margariti has produced a book that is not only carefully crafted but also of high scientific quality. It addresses a large number of subjects: animal history, but also art history, iconography, studies on religion and society.

Indeed, this is one of the merits of approaching the past through animals: of course, it restores a place to long overlooked actors and renews reflection on many aspects of past societies. Such a book will show that this history is useful, even necessary.

Such are the major merits of this work, which is moreover abundantly illustrated throughout. It fully deserves its place in libraries and on the tables of researchers, and not only specialists in animal history.’ – Christophe Chandezon (2026): Bryn Mawr Classical Review