
H 290 x W 205 mm
436 pages
333 figures, 11 tables, 30 plates (colour throughout)
Published Jul 2025
ISBN
Paperback: 9781803278254
Digital: 9781803278261
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Edited by Elena C. Partida, Constanze Graml
This volume presents 23 papers that offer insights into aspects of creation, manufacture and processing in antiquity, viewing craftsmen and artists in their socio-cultural and geopolitical setting. New finds from Greece, North Africa, the Black Sea, Italy and Central Europe provide a trigger for discussion.
Elena C. Partida is a Research Archaeologist at the Hellenic Ministry of Culture. She leads interdisciplinary studies on the architecture and sculpture of the Graeco-Roman world with emphasis on ancient Greek sanctuaries, the archaeology of Delphi, Achaea and Paros. Author of museum and open-air exhibitions, she is a member of the Campana Reliefs Network, co-director of the architectural investigation of the Temple of Zeus at Lebadea, and co-editor of the collective volume Listening to the Stones (Archaeopress 2019).
Constanze Graml is currently a Lecturer on Classical Archaeology at the universities of Regensburg and Gießen, Germany. Her research interests centre on ancient Greek religion, sacred landscapes and digital archaeology, and she is currently conducting a study on the rock-cut reliefs of Philippi, ancient Macedon. She is a member of the Trochoeides Network on the study of the archaeology of pre-Classical Athens and co-editor of the associated conference proceedings Rethinking Athens before the Persian Wars (2019).
‘Ergasteria is a well-produced book. The many illustrations are mostly in color and are reproduced at a generous scale. The articles are all in English, not the first language of most of the authors, but the editing is excellent, and the text is generally clear and free of major awkwardness. The lengthy common bibliography constitutes a rich source of documentation, and indices help to draw connections between the papers. A list of the contributors with their contact details and affiliations would have been welcome; given the collection’s wide range, few readers will be familiar with all of them and their work. That range ensures, however, that almost anyone with an interest in ancient production will find something of interest here.’ – Susan Rotroff (2026): Bryn Mawr Classical Review