H 276 x W 203 mm
Illustrated throughout in colour and black & white (796 colour plates)
Published Jul 2018
This volume celebrates the work of Dr. Phil. h.c. Gerhard Milstreu in his 40th year as director of Tanum Museum of Rock Carving and Rock Art Research Centre, Sweden. A feast of scholarly contributions pay respect to and acknowledge Gerhard’s achievements in the fields of rock art documentation, research, international collaboration and outreach.
Editors Preface; Tabula Gratulatoria; Chapter 1: Art, Artists, Rock Art and Underslös – by James Dodd; Chapter 2: The Sensitive Finger, The Observing Eye And The Sensation Of A Place – by Jarl Nordbladh; Chapter 3: To Let Mute Stones Speak – on the Becoming of Archaeology – by Joachim Goldhahn; Chapter 4: The Chariot of The Sun and other sun horses of The Nordic Bronze Age – including some interesting anatomical details – by Flemming Kaul; Chapter 5: The winged triad in Bronze Age symbolism: birds and their feet – by Kristian Kristiansen; Chapter 6: Gerhard and the rock carvings of Bornholm – by Finn Ole Sonne Nielsen; Chapter 7: Rock Art and Burial Landscapes – Danish Rock Art in Burial Mounds – by Louise Felding; Chapter 8: A sea beyond Europe to the north and west – by Johan Ling & John Koch; Chapter 9: The Wild Boar in Scandinavian Rock Art – by Peter Skoglund; Chapter 10: Women on the move in the Nordic Bronze Age: a case study based on rock art and costume – by Sophie Bergerbrant and Anna Wessman; Chapter 11: Fleshing out the Stickman: A Hypothesis about the Long-Legged Anthropomorphs in Scandinavian Rock Art – by Lisa-Elen Meyering; Chapter 12: The cunning of the fox - a case of zoomorphism in Scandinavian rock art – by Christian Horn; Chapter 13: The duel in place: morphological, structural and spatial variability of a basic scene among Valcamonica Iron Age rock art – by Alberto Marretta; Chapter 14: Symbolic Concordance: a transparent approach to archetype – by Umberto Sansoni; Chapter 15: Rock Carvings at Stuberg in Stjørdal, Trøndelag, Norway – by Kalle Sognnes; Chapter 16: “On the beaten track”: considerations on the rock art at Foss in the Gauldal Valley, Trøndelag County, Norway – by Kjell André Brevik; Chapter 17: What we see is what we get - Seeing Sandhalsan with new «eyes» – by Jan Magne Gjerde & Heidrun Stebergløkken; Chapter 18: Giants Cauldrons and Rock Art – by Magnus Tangen; Chapter 19: Snowshoes and skis in North European rock art – by Knut Helskog; Chapter 20: Following the bear through the rocks – by Elena Man-Estier; Chapter 21: Back to life: British rock art in the Iron Age – by Tertia Barnett; Chapter 22: World heritage rock art documentation in Tanum – a brief history of methodology and projects until the early 2000s – by Ulf Bertilsson, SHFA; Chapter 23: Bevar dialogen med klippen. Dokumentationens betydning for fortidens helleristninger og fremtidens forskning – by Ditte E. P. Kofod; Chapter 24: Towards a new era of rock art documentation – by Ellen Meijer & James Dodd