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H 290 x W 205 mm

518 pages

Illustrated throughout in colour and black & white (230 plates in colour)

Published Mar 2019

Archaeopress Archaeology

ISBN

Paperback: 9781789690231

Digital: 9781789690248

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Keywords
Greek Art; John Boardman; Sculpture; Architecture; Terracotta and Metal; Greek Pottery; Coins; Greek History and Archaeology; Greeks Overseas; Reception and Collecting; Art and Myth

Greek Art in Motion: Studies in honour of Sir John Boardman on the occasion of his 90th Birthday

Edited by Rui Morais, Delfim Leão, Diana Rodríguez Pérez

Associate Editor Daniela Ferreira

Paperback
£75.00
Includes PDF

PDF eBook
(personal use)
£16.00

PDF eBook
(institutional use)
£75.00

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Over 50 papers, first presented at the international congress ‘Greek Art in Motion’ (Lisbon, 2017) in honour of Sir John Boardman’s 90th Birthday, are collected here under the following headings: Sculpture, Architecture, Terracotta & Metal, Greek Pottery, Coins, Greek History & Archaeology, Greeks Overseas, Reception & Collecting, Art & Myth.

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About the Author

RUI MORAIS was born in Porto in 1969 and has a degree in History, variant of Archaeology from the University of Coimbra. He has a Masters in Urban Archaeology, PhD in Archaeology, Technology and Materials from University of Minho. He was Professor at Minho University and is currently an Assistant Professor with Aggregation at the Faculty of Arts, Oporto University. Among his research, he has dedicated special attention to the study of trade in antiquity, with numerous published works, individually or with other national and foreign authors. He is researcher in the Classical and Humanistic Centre at Coimbra University (CECH). He was a consultant of the Calouste Gulbenkian Foundation for antiques. He is a member of the Scientific Committee of the IBERIA GRAEGA Project. | DELFIM LEÃO is a Professor at the Institute of Classical Studies and a researcher at the Center for Classical and Humanistic Studies, University of Coimbra. His main areas of interest are ancient history, law and political theory of the Greeks, theatrical pragmatics, and the ancient novel. He also has a strong interest in digital humanities. Among his main recent works are D. F. Leão and P. J. Rhodes, ‘The Laws of Solon. A new Edition, with Introduction, Translation and Commentary’ (London, I. B. Tauris, 2015), and a second revised edition in 2016; D. F. Leão and G. Thür (Hrsg.) ‘Symposion 2015. Vorträge zur griechischen und hellenistischen Rechtsgeschichte’ (Wien, Verlag der Österreichischen Akademie der Wissenschaften, 2016). Along with Lautaro Roig Lanzillotta, he is the editor of Brill’s ‘Plutarch Studies’. | DIANA RODRÍGUEZ PÉREZ is a Junior Research Fellow at Mougins Museum in Classical Art and Material Culture at Wolfson College, University of Oxford, and was previously the Research Assistant for the Beazley Archive Pottery Database at the Classical Art Research Centre. Before moving to Oxford, she held a postdoctoral fellowship at the University of Edinburgh (FECYT). She received a PhD (Doctor Europaea) from the University of León, Spain (The Snake in the Ancient Greek World: Myth, Rite and Image), an MPhil in History of Art from the University of León, and an MPhil in Archaeology and Heritage from the Universidad Autónoma de Madrid. From 2010 to 2011 she worked as a translator at the European Parliament in Luxemburg, and was a DAAD Fellow at the Institut für klassische Archäologie of the University of Heidelberg from 2008 to 2009. In the summer of 2017 she was Tytus Scholar at the Department of Classical Studies of the University of Cincinnati (US). | DANIELA FERREIRA is currently a PhD student at the Department of Prehistory, Ancient History and Archeology of Complutense University of Madrid, Spain, and a researcher at UI&D CITCEM - Transdisciplinary Research Centre «Culture, Space and Memory», Portugal. She is also a recipient of a FCT (Portuguese national funding agency for science, research and technology) grant since 2015. Daniela holds a Master’s degree in Archaeology from the University of Oporto (Portugal), with a focus on Latin epigraphy and religious practices in the Iron Age.