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H 290 x W 205 mm

88 pages

Illustrated throughout in black & white

Published Jan 2017

Archaeopress Archaeology

ISBN

Paperback: 9781784915247

Digital: 9781784915254

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Keywords
Neolithic; Europe; Trade; Exchange; Craft; Distribution

Proceedings of the UISPP World Congress

Proceedings of the XVII UISPP World Congress (1–7 September 2014, Burgos, Spain) 13

Materials, Productions, Exchange Network and their Impact on the Societies of Neolithic Europe

Proceedings of the XVII UISPP World Congress (1–7 September 2014, Burgos, Spain) Volume 13/Session A25a

Edited by Marie Besse, Jean Guilaine

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How is it possible to identify the circulation of materials or of finished objects in Neolithic Europe, as well as the social networks involved? Several approaches exist for the researcher, and the present volume provides some examples.

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Contents

Foreword to the XVII UISPP Congress Proceedings Series Edition (Luiz Oosterbeek); Foreword (Jean Guilaine and Marie Besse); White-painted Pottery in the Early Neolithic Balkans (Darko Stojanovski); Settlements – Head and Settlements – Tail in the Neolithic Obsidian Exchange Network in the Western Mediterranean (Tania Quero); Original and Skeuomorph: On the materiality of the Chalcolithic package of prestige in South Eastern Europe (Dragoş Gheorghiu); Exchange and interaction: the Iberian Mediterranean between the VI and III millennia cal BC (Teresa Orozco Köhler and Joan Bernabeu Aubán); The Western network revisited: the transition into agro-pastoralism in the Alto Ribatejo, Portugal (Nelson J. Almeida, Cristiana Ferreira, Sara Garcês, Ana Cruz, Pierluigi Rosina and Luiz Oosterbeek); Mobility in late Prehistory in Galicia: a preliminary interpretation from pottery (M Pilar Prieto Martínez and Óscar Lantes Suárez); Types and gesture. The jewellery of the Copper age in the Alps in a techno-typological study (Stefano Viola, Maria Adelaide Bernabo’ Brea, Dino Delcaro, Federica Gonzato, Cristina Longhi, Giorgio Gaj, Roberto Macellari, Luciano Salzani, Alessandra Serges, Iames Tirabassi, Marie Besse)