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Die Ausrüstung der römischen Armee auf der Siegessäule des Marcus Aurelius in Rom
Ein Vergleich zwischen der skulpturalen Darstellung und den archäologischen Bodenfunden by Boris Alexander Nikolaus Burandt. iv+412 pages; illustrated throughout in black & white. German text. 369 2017 Archaeopress Roman Archaeology 28. Available both in printed and e-versions. Printed ISBN 9781784916930. Epublication ISBN 9781784916947.
Book contents page
The reliefs of the column of Marcus Aurelius in Rome are used extensively for the illustration of Roman soldiers. However, despite the fact that in the last decades a number of sites at the Danube Limes have been analyzed, where numerous militaria from the Markomannic Wars have emerged, there is no comparison between this work of official Roman art and the archaeological finds. This book aims to address this lacuna. Each piece of equipment of the Roman soldier is analyzed in its sculptural representation and compared with the existing finds as well as supplementary comparisons with secondary sources. The result is a broad picture of the Roman army under Marcus Aurelius and of Rome's depiction of their forces in state propaganda. In addition, the present work comprehensively separates the antique parts of the frieze from the additions made during the late Renaissance for the first time and thus provides a solid basis for future archaeological and art historical evaluations.

About the Author
Boris A. N. Burandt studied Archeology of the Roman Provinces, Classical Archeology, History of Art and Ancient History at the University of Cologne, and specialized early in Roman military equipment. After completing his studies he was research assistant at the Morphomata International Center for Advanced Studies and in three projects of the German Archaeological Institute as well as a trainee of the State Office for National Heritage Conservation in the Rhineland. He also participated in various excavations and campaigns in Germany, Italy and North Africa. Since 2017 he has undertaken research at the Goethe-University in Frankfurt on the Main about Roman memorabilia in the context of gladiator fights and chariot races. This book is based on his PhD thesis, which was written between 2012 and 2015 at the University of Cologne.

German Description:
Die Reliefs der Marcussäule in Rom bilden seit Langem vielfach verwendete Vorlagen zur Illustration römischer Soldaten. Doch obwohl in den letzten Dekaden mehrere Fundplätze am Donaulimes aufgearbeitet wurden, an denen zahlreiche Militaria aus den Markomannenkriegen zutage gekommen sind, fehlt bislang ein Vergleich zwischen den Arbeiten der offiziellen römischen Staatskunst und den archäologischen Bodenfunden. Diesen Mangel soll nun das vorliegende Werk beheben. Jeder Ausrüstungsgegenstand des römischen Soldaten wird in seiner skulpturalen Darstellung analysiert und mit den vorliegenden Funden sowie ergänzenden Sekundärquellen verglichen. Es entsteht somit ein umfangreiches Bild der römischen Armee unter Marcus Aurelius und von Roms Umgang mit dem Militär in der staatlichen Propaganda. Außerdem separiert das vorliegende Werk erstmals umfassend die antiken Partien des Friesbandes von den Ergänzungen der Spätrenaissance und legt somit eine solide Basis für künftige archäologische und kunsthistorische Auswertungen.

Boris A. N. Burandt studierte Archäologie der römischen Provinzen, Klassische Archäologie, Kunstgeschichte und Alte Geschichte an der Universität zu Köln und spezialisierte sich früh auf die Erforschung römischer Militärausrüstung. Nach seinem Studium war B. Burandt Wissenschaftlicher Mitarbeiter am Internationalen Kolleg Morphomata und in drei Projekten des Deutschen Archäologischen Instituts sowie Volontär des Rheinischen Amtes für Bodendenkmalpflege. Außerdem nahm er an diversen Ausgrabungen und Kampagnen in Deutschland, Italien und Nordafrika teil. Seit 2017 forscht B. Burandt an der Goethe-Universität in Frankfurt am Main zu römischen Memorabilien im Kontext von Gladiatorenkämpfen und Wagenrennen. Das vorliegende Buch basiert auf seiner Dissertation, die zwischen 2012 und 2015 an der Universität zu Köln entstanden ist.



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