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Problems of Chronology in Gandhāran Art: Introduction
Rienjang W. (ed.) 2018. Problems of Chronology in Gandhāran Art. p1-6 by Wannaporn Rienjang and Peter Stewart. DOI: 10.32028/9781784918552P1-6.
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In 2016 the Classical Art Research Centre at the University of Oxford launched a three-year project entitled ‘Gandhāra Connections’, which has been generously supported by the Bagri Foundation and the Neil Kreitman Foundation.1 Its aim is to stimulate and support fresh research and discussion on unresolved problems in the study of Gandhāran art, and in particular the long debated question of the links between Gandhāran and Graeco-Roman artistic traditions. During the consultation process that laid the foundation for the project, a variety of scholars with interests in Gandhāra made the same observation: that several fundamental topics needed renewed attention in the light of recent research, as a precondition for understanding classical connections with Gandhāran art and many other matters besides. At the forefront of their minds was the problem of the chronology of Gandhāran art and archaeology. Chronology therefore provided the focus of the first international workshop of the Gandhāra Connections project, hosted in Oxford on 23rd and 24th March 2017, on which this volume is based.


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