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NEW: Rethinking the Concept of ‘Healing Settlements’: Water, Cults, Constructions and Contexts in the Ancient World edited by Maddalena Bassani, Marion Bolder-Boos and Ugo Fusco. Paperback; 205x290mm; iv+176 pages; illustrated throughout in black & white with 15 plates in colour. (Print RRP £35.00). 483 2018 Archaeopress Roman Archaeology 52. Available both in printed and e-versions. Printed ISBN 9781789690378. £35.00 (No VAT). Epublication ISBN 9781789690385. £16.00 (Exc. VAT) Institutional Price £35.00 (Exc. UK VAT) Book contents pageBuy Now

Rethinking the Concept of ‘Healing Settlements’: Water, Cults, Constructions and Contexts in the Ancient World brings together papers dealing with therapeutic aspects connected to thermomineral sites both in Italy and in the Roman Provinces, as well as cultic issues surrounding health and healing. The first part of the book consists of contributions that are focused on the numerous problems concerning the exploitation of curative springs and the settlement patterns at spa sites in terms of topography, infrastructure, architecture, cult, society and economy, emphasizing the particularities accompanying the use of beneficial sources and comparing them to that of common freshwaters. The papers in the second part of the volume concentrate on religious aspects connected to health, fertility and healing, focussing especially on sites located at particular natural surroundings such as caves and water sources. Together, the contributions in this book give us an idea of the amount and quality of research currently being undertaken in different parts of the Roman world (and complemented by one paper on the Greek world) on the topic of health and healing associated with cults and salutiferous waters.

About the Author
MADDALENA BASSANI graduated with distinction in Classical Literature with archaeology specialization at Padua University. She is the author of approximately seventy publications and is a member of the editorial boards for Antenor Quaderni, Hesperìa. Studi sulla Grecità d'Occidente and Venetia/Venezia. Quaderni adriatici di storia e archeologia lagunare. In 2014 she obtained the National Scientific Qualification to function as Associate Professor.

MARION BOLDER-BOOS studied Classical Archaeology, Assyriology and Prehistory at the universities of Heidelberg and Cambridge, attaining her MA in 2005 and her PhD in 2010 from Heidelberg University. She has participated in various excavations (Phylakopi in Greece, Magdalensberg in Austria and Carthage in Tunisia) and has publishing on a wide range of subjects, such as Roman sanctuaries and deities, Roman urbanism, history of archaeology, ancient colonisation and Phoenician and Punic archaeology. Since 2006 she has been Assistant Professor in Classical Archaeology at Technical University Darmstadt.

UGO FUSCO has a BA in Classics and a MA in Classical Archaeology from Sapienza University of Rome, as well as a PhD in Classical Archaeology from the University of Pisa. He has excavated in Italy (Volterra, Rome, Veii and Grumento) and abroad (in London), investigating urban and rural sites. He has worked on various themes including: Roman architecture, prosopography, Latin epigraphy, topography of the suburbs of Rome, Roman archaic history and cults relating to water and mystery. He recently expanded his interests to include Greek architecture, considering the subject of double temples in Greece.
NEW: Journal of Hellenistic Pottery and Material Culture Volume 3 2018 edited by Renate Rosenthal-Heginbottom and Patricia Kögler. Paperback; 210x297mm; xvi+208 pages; illustrated throughout in colour and black & white (43 plates in colour). Papers in English and German. 3 2018. Available both in print and Open Access. Printed ISBN 9781789691719. £30.00 (No VAT). Institutional Price £50.00 (No VAT). Epublication ISBN 2399-1852-3-2019. Book contents pageDownload

ARTICLES
Notes on a Hellenistic Milk Pail – by Yannis Chairetakis
Chasing Arsinoe (Polis Chrysochous, Cyprus): A Sealed Early Hellenistic Cistern and Its Ceramic Assemblage – by Brandon R. Olson, Tina Najbjerb & R. Scott Moore
Hasmonean Jerusalem in the Light of Archaeology – Notes on Urban Topography – by Hillel Geva
A Phoenician / Hellenistic Sanctuary at Horbat Turit (Kh. et-Tantur) – by Walid Atrash, Gabriel Mazor & Hanaa Aboud with contributions by Adi Erlich & Gerald Finkielsztejn
Schmuck aus dem Reich der Nabatäer – hellenistische Traditionen in frührömischer Zeit – by Renate Rosenthal-Heginbottom

ARCHAEOLOGICAL NEWS AND PROJECT
Pyla-Koutsopetria Archaeological Project: Excavations at Pyla-Vigla in 2018 – by Thomas Landvatter, Brandon R. Olson, David S. Reese, Justin Stephens & R. Scott Moore
Bookmark: Ancient Gems, Finger Rings and Seal Boxes from Caesarea Maritima. The Hendler Collection – by Shua Amorai-Stark & Malka Herskovitz

BOOK REVIEWS
Nina Fenn, Späthellenistische und frühkaiserzeitliche Keramik aus Priene. Untersuchungen zu Herkunft und Produktion – by Susanne Zabehlicky-Scheffenegger
Raphael Greenberg, Oren Tal & Tawfiq Da῾adli, Bet Yerah III. Hellenistic Philoteria and Islamic al- Ṣinnabra. The 1933–1986 and 2007–2013 Excavations – bY Gabriel Mazor
Mohamed Kenawi & Giorgia Marchiori, Unearthing Alexandria’s archaeology: The Italian Contribution – by Carlo De Mitri
NEW: Hellenistic Alexandria: Celebrating 24 Centuries Papers presented at the conference held on December 13–15 2017 at Acropolis Museum, Athens edited by Christos S. Zerefos and Marianna V. Vardinoyannis. Hardback; 205x290mm; xx+296 pages; illustrated throughout in colour and black & white (56 plates in colour). 493 2018. Available both in print and Open Access. Printed ISBN 9781789690668. £68.00 (No VAT). Epublication ISBN 9781789690675. Book contents pageDownload

Hellenistic Alexandria: Celebrating 24 Centuries presents the proceedings of a conference held at the Acropolis Museum in Athens, on December 13–15, 2017, and includes high-level dialogues and philosophical discussions between international experts on Hellenistic Alexandria. The goal was to celebrate the 24 centuries which have elapsed since its foundation and the beginning of the Library and the Museum of Alexandria. The conference was divided into two parts, to include in the first part archaeology, history, philosophy, literature, art, culture and legal issues and in the second part science, medicine, technology and environment. A total of 28 original and peer-reviewed articles point to the importance of the brilliantly-original ideas that emerged during the Hellenistic age and the curious modernity of the whole atmosphere of the time. The range of presented topics covers a variety of new data on the foundation of Alexandria to comparison between Ptolemaic Alexandria and Ptolemaic Greece through philosophy, culture and drama to the forgotten revolution of science, medicine and the prevailing climatological and geophysical conditions throughout the Hellenistic Period. The conference and its proceedings were co-sponsored by the Μarianna V. Vardinoyannis Foundation, the Acropolis Museum, the Alexandria Center for Hellenistic Studies at Bibliotheca Alexandrina and the Mariolopoulos-Kanaginis Foundation for the Environmental Sciences.

The Publication also celebrates the 10th anniversary of the Alexandria Center for Hellenistic Studies, a joint collaboration between the Bibliotheca Alexandrina, the Vardinoyannis Foundation and the University of Alexandria. Scholars from around the world follow the Center’s programme in various specialisations, ranging from historyliterature- art, to archaeology and architecture-philosophy, and science.

About the Editors
Christos Zerefos is Head of Research Centre for Atmospheric Physics and Climatology, Academy of Athens and president-elect of the General Assembly of the Hellenic Foundation for Research and Innovation; Professor of Atmospheric and Environmental Physics at the Universities of Athens and Thessaloniki; Visiting Professor, Universities of Minnesota and Boston; Samarbeidspartnere (Scientific Collaborator), University of Oslo. He is known for his research into ozone, UV, ozone-climate interactions and climate-extreme events. He is member of the Academy of Athens, Academia Europaea, Norwegian Academy of Sciences and Letters, European Academy of Sciences, Russian Academy of Natural Sciences and other distinguished scientific societies. He is recipient of the UNEP Global Ozone Award, 1997 and of a number of distinctions, awards and medals from WMO/UNEP, and various scientific societies (e.g. Blaise Pascal Medal, European Academy of Sciences; AGU Kaufman Award; European and Balkan Physics Societies’ Award; European Union Prize for Cultural Heritage-Europa Nostra Award, and others). He received the Award Certificate and Letter from UNEP and IPCC for substantial contribution to the reports of IPCC, which shared the 2007 Nobel Peace Prize with the former Vice President of USA, Al Gore (December 2007). He is honorary professor, Physics Department, Aristotle University of Thessaloniki; has an honorary doctoral degree from the Physics Department, University of Patras; honorary degree of Doctor of Humane Letters, university division of the American College ANATOLIA, Thessaloniki. He has supervised 50 MSc and 30 PhD degrees and has originated eight international research centres. His research work in peer-reviewed scientific journals is acknowledged widely by the scientific community. (For more see www.christoszerefos.com/)

Marianna V. Vardinoyannis is a Goodwill Ambassador of UNESCO for the protection of children, founder and president of the ‘Marianna V. Vardinoyannis Foundation’, of the ‘ELPIDA Friends’ Association of Children with cancer
NEW: Popular Religion and Ritual in Prehistoric and Ancient Greece and the Eastern Mediterranean edited by Giorgos Vavouranakis, Konstantinos Kopanias and Chrysanthos Kanellopoulos. Paperback; 205x290mm; x+170 pages; illustrated throughout in colour and black & white (30 plates in colour). 481 2018. Available both in printed and e-versions. Printed ISBN 9781789690453. £32.00 (No VAT). Epublication ISBN 9781789690460. £16.00 (Exc. VAT) Institutional Price £32.00 (Exc. UK VAT) Book contents pageBuy Now

This volume features a group of select peer-reviewed papers by an international group of authors, both younger and senior academics and researchers. It has its origins in a conference held at the National and Kapodistrian University of Athens, which aimed to bring up the frequently-neglected popular cult and other ritual practices in prehistoric and ancient Greece and the eastern Mediterranean. The topics covered by the chapters of the volume include the interplay between elite and popular ritual at cemeteries and peak sanctuaries just before and right after the establishment of the first palaces in Minoan Crete; the use of conical cups in Minoan ritual; the wide sharing of religious and other metaphysical beliefs as expressed in the wall-paintings of Akrotiri on the island of Thera; the significance of open-air sanctuaries, figurines and other informal cult and ritual paraphernalia in the Aegean, Cyprus and the Levant from the late bronze age to the archaic period; the role of figurines and caves in popular cult in the classical period; the practice of cursing in ancient Athens; and the popular element of sports games in ancient Greece.

About the Editors GIORGOS VAVOURANAKIS is Assistant Professor in Prehistoric Aegean: Theoretical Archaeology at the Department of History and Archaeology of the National and Kapodistrian University of Athens. He studied at the same university and did his MA and PhD at the University of Sheffield. He has worked as a contract archaeologist for the Hellenic Ministry of Culture, as a post-doctoral researcher at the National and Kapodistrian University of Athens and as adjunct faculty at the Universities of Crete and the Peloponnese, and the Hellenic Open University. His research interests include archaeological theory, especially landscape archaeology and funerary archaeology, but also the history of archaeological research. He has directed field projects in Cyprus and Crete and is currently the deputy director of the National and Kapodistrian University of Athens excavation at Marathon.

KONSTANTINOS KOPANIAS is Assistant Professor of Ancient Civilizations of the Eastern Mediterranean at the Department of History and Archaeology of the National and Kapodistrian University of Athens. He studied at the same university and also at the Paris-Lodron University of Salzburg and the Eberhard Karls University of Tübingen. He has worked as a postdoctoral researcher at the University of Athens, as adjunct faculty at the University of Crete and as Allgemeiner Referent at the German Archaeological Institute in Athens. Since 2011 he has been the director of the University of Athens excavaton in Tell Nader and Tell Baqrta in the Kurdistan Region in Iraq.

CHRYSANTHOS KANELLOPOULOS is an archaeologist specializing in classical architecture. He is Assistant Professor at the Department of History and Archaeology of the National and Kapodistrian University of Athens. He was employed for a number of years as a historical architect at the American Center of Oriental Research in Amman, Jordan, where he worked on the buildings of both Amman and Petra. His PhD thesis treated the classical and Hellenistic phases of ancient Karthaia on the island of Kea. He is the author of Amman: The Great Temple (Amman 1996) and the Late Roman Temenos Wall at Epidauros (Athens 1999), co-author of the Petra Church (Amman 2001), The Thymele at Epidauros (Fargo 2017) and The North Ridge in Petra (Amman 2018). During recent years, Dr Kanellopoulos’ work has focussed on the architecture of the Library of Hadrian in Athens and of the temple of Zeus Basileus in Levadeia.
FORTHCOMING: Archaic and Classical Harbours of the Greek World The Aegean and Ionian Sea contexts by Chiara Maria Mauro. Paperback; 205x290mm; viii+116 pages; illustrated throughout in colour and black & white. (Print RRP £30.00). 516 2019. ISBN 9781789691283. Book contents pageBuy Now

Archaic and Classical Greek Harbours in the Aegean and Ionian Seas explores the archaeology and history of ancient harbours and focuses on the Greek world during the Archaic and Classical eras. Its objective is to establish a consensus on three fundamental questions: What locations were the most propitious for the installation of harbours? What kinds of harbour-works were built and for what purpose? What harbour forms were documented? These subjects have been addressed by evaluating multiple forms of evidence (archaeological, geographical, nautical, textual, iconographic and geological) in the context of the Aegean and eastern Ionian maritime settings.

About the Author
CHIARA MARIA MAURO gained an MA in Classical Archaeology at the University of Pisa (Italy) in 2012 with a dissertation on Phoenician seafaring in the Archaic period, and in 2014 she completed a master’s degree in Teaching History, Geography and History of Art at the Autonomous University of Madrid (Spain). In 2016 she obtained a PhD in Studies on the Ancient World from the Complutense University of Madrid (Spain). In 2015 she was Visiting Research Student at the University Alma Mater (Bologna, Italy); in October 2017 she was awarded an Irish Research Council Postdoctoral Fellowship to work on the project ‘Ancient Harbours in the Greek World: A study of Aegean and eastern Ionian Sea harbours from the dawn of the city-state to the Classical period’. She is currently Postdoctoral Fellow at the Haifa Center for Mediterranean History in the Department of Maritime Civilizations.
FORTHCOMING: Greek Art in Motion Studies in honour of Sir John Boardman on the occasion of his 90th Birthday edited by Rui Morais, Delfim Leão, Diana Rodríguez Pérez with Daniela Ferreira. Paperback; iv+510 pages; illustrated throughout in colour and black & white (230 colour plates). 485 2018. ISBN 9781789690231. Book contents pageBuy Now

This publication on Greek Art gathers a large number of studies presented at the International Congress ‘Greek Art in Motion’. Held in honour of Sir John Boardman’s 90th birthday, the congress took place at the Calouste Gulbenkian Foundation in Lisbon, 3-5 May, 2017.

The volume first presents eight contributions by the keynote speakers who, as friends and students of Sir John, present a debate and a problematisation of Greek Art from the archaeological and historical point of view.

Thereafter, 45 papers are divided into the different themes considered during the congress, all of which have greatly benefited from Sir John's researches throughout his long and distinguished academic career: Sculpture, Architecture, Terracotta and Metal, Greek Pottery, Coins, Greek History and Archaeology, Greeks Overseas, Reception and Collecting, Art and Myth.

About the Editors
RUI MORAIS was born in Porto in 1969 and has a degree in History, variant of Archaeology from the University of Coimbra. He has a Masters in Urban Archaeology, PhD in Archaeology, Technology and Materials from University of Minho. He was Professor at Minho University and is currently an Assistant Professor with Aggregation at the Faculty of Arts, Oporto University. Among his research, he has dedicated special attention to the study of trade in antiquity, with numerous published works, individually or with other national and foreign authors. He is researcher in the Classical and Humanistic Centre at Coimbra University (CECH). He was a consultant of the Calouste Gulbenkian Foundation for antiques. He is a member of the Scientific Committee of the IBERIA GRAEGA Project.

DELFIM LEÃO is a Professor at the Institute of Classical Studies and a researcher at the Center for Classical and Humanistic Studies, University of Coimbra. His main areas of interest are ancient history, law and political theory of the Greeks, theatrical pragmatics, and the ancient novel. He also has a strong interest in digital humanities. Among his main recent works are D. F. Leão and P. J. Rhodes, ‘The Laws of Solon. A new Edition, with Introduction, Translation and Commentary’ (London, I. B. Tauris, 2015), and a second revised edition in 2016; D. F. Leão and G. Thür (Hrsg.) ‘Symposion 2015. Vorträge zur griechischen und hellenistischen Rechtsgeschichte’ (Wien, Verlag der Österreichischen Akademie der Wissenschaften, 2016). Along with Lautaro Roig Lanzillotta, he is the editor of Brill’s ‘Plutarch Studies’.

DIANA RODRÍGUEZ PÉREZ is a Junior Research Fellow at Mougins Museum in Classical Art and Material Culture at Wolfson College, University of Oxford, and was previously the Research Assistant for the Beazley Archive Pottery Database at the Classical Art Research Centre. Before moving to Oxford, she held a postdoctoral fellowship at the University of Edinburgh (FECYT). She received a PhD (Doctor Europaea) from the University of León, Spain (The Snake in the Ancient Greek World: Myth, Rite and Image), an MPhil in History of Art from the University of León, and an MPhil in Archaeology and Heritage from the Universidad Autónoma de Madrid. From 2010 to 2011 she worked as a translator at the European Parliament in Luxemburg, and was a DAAD Fellow at the Institut für klassische Archäologie of the University of Heidelberg from 2008 to 2009. In the summer of 2017 she was Tytus Scholar at the Department of Classical Studies of the University of Cincinnati (US).

DANIELA FERREIRA is currently a PhD student at the Department of Prehistory, Ancient History and Archeology of Complutense University of Madrid, Spain, and a researcher at UI&D CITCEM - Transdisciplinary Research Centre «Culture, Space and Memory», Portugal. She is also a recipient of a FCT (Portuguese national funding agency for science, research and technology) grant since 2015. Daniela holds a Master’s degree in Archaeology from the University of Oporto (Portugal), with a focus
FORTHCOMING: Macedonia–Alexandria: The Monumental Funerary Complexes of the Late Classical and Hellenistic Age by Dorota Gorzelany. Paperback; 175x245mm; 244pp; 76 Figures (44 full colour, 32 monochrome). (Print RRP £32.00). 517 2019. ISBN 9781789691368. Buy Now

The type of monumental tomb that developed in Macedonia in the late Classical period was undoubtedly the most impressive of all the Greek funerary complexes. It was a burial chamber with a vestibule, built of stone blocks, vaulted and furnished with an architectural facade, concealed under a large tumulus rising above the ground. The concept of the Macedonian sepulcher, which the Macedonians and Greeks settling in Alexandria ad Aegyptum, the city founded by Alexander the Great on the Egyptian coast, brought with them, influenced the structural form of the underground tombs that were developed in the new city. ‘Macedonia–Alexandria’ explores the scope of this influence, comparing in synthetic form the structural elements of the cist graves, chamber and rock-cut tombs of Macedonia with the Alexandrian hypogea, while taking into account the different geographical factors that conditioned them. This is followed by a presentation of the facade and interior decoration, and a discussion of the themes of wall painting inside the tombs and a characteristic of the surviving tomb furnishings.

The Macedonian tomb reflects in its form Greek eschatological beliefs ingrained in the mystery religions and the social ideology of the Macedonian kingdom. The assimilation of these beliefs is seen in the architectural arrangements, the vestibule and chamber plan, the facade (in Macedonia) or courtyard (in Alexandria), the structural and architectural interior decoration, and the furniture found in the chamber. These elements refer to palace architecture and determine the symbolic function of the tomb. The cult of the dead aspect is emphasized by wall painting iconography, the form of burial and the nature of the grave goods accompanying the deceased. In Alexandria, the role of rituals celebrated in the family tombs is attested by the declining size of burial chambers in favour of the vestibules and by the introduction of an open courtyard as well as the presence of altars. With regard to the ideology behind the Alexandrian complexes, the author explores the issue of the coexistence and the popularity of Egyptian beliefs adopted into Alexandrian sepulchral art, emphasizing the differences in the perception of the role of the tomb in the Macedonian and Egyptian consciousness.

About the Author
DOROTA GORZELANY studied Mediterranean Archaeology at the Jagiellonian University, Krakow, where she received her PhD in 2005. Since 1999 she has been a keeper of the ancient art collection in the Princes Czartoryski Museum (National Museum in Krakow) and a curator of the Gallery of Ancient Art. Since 2005 she has taught Ancient Art at the Pontifical University of John Paul II and since 2018 at the University of Silesia. She is a member of ICOM-Poland and Commission on the Archaeology of the Mediterranean Countries in the Polish Academy of Arts and Sciences (PAU). Her research focusses on Greek and Roman iconography and the history of the museum collection.

Table of Contents
Introduction
Chapter I Historical outline
Chapter II Types of funerary complexes from the territory of Macedonia
Chapter III Types of funerary complexes in Alexandria
Chapter IV Symbolism of the architectural forms, painted decoration and interior furnishings of tombs from Macedonia
Chapter V Symbolism of the architectural forms, painted decoration and interior furnishings of tombs from Alexandria
Summary
Bibliography
Index of localities and tombs
Topical index
FORTHCOMING: Greco-Roman Cities at the Crossroads of Cultures: The 20th Anniversary of Polish-Egyptian Conservation Mission Marina el-Alamein edited by Grażyna Bąkowska-Czerner and Rafał Czerner. Paperback; 205x290mm; iv+312 pages; illustrated throughout in colour and black & white (128 colour plates). (Print RRP £60.00). 513 2019. ISBN 9781789691481. Book contents pageBuy Now

The ancient town discovered at the site of today’s Marina el-Alamein (located on the northern coast of Egypt) developed from the 2nd century BC to the 6th century AD. It found itself at the crossroads of several civilisations: Hellenic, later replaced by Roman, and ultimately Christian, and was always strongly influenced by Egyptian tradition. A variety of cultures appeared and met here and grew in strength – then their significance weakened – but they always co-existed and influenced one another. The syncretism prevailing here is notable in the spheres of art, architecture, religion and worship.

2015 marked thirty years since the discovery of the remains of the ancient city, which, for many centuries, had been unknown to the world. The remains were found unexpectedly during the preparatory work for the construction of a modern tourist settlement on the Mediterranean coast, and the significance and extraordinary value of the discovery was immediately recognised. Now the ancient city, and the historic remains of its buildings, are gradually coming to light.

The Jubilee was twofold, since 2015 marked also the 20th anniversary of the setting up of the Polish-Egyptian Conservation Mission, Marina el-Alamein. Throughout this time, both architectural and archaeological research have been carried out at the site, many discoveries have been made, numerous relics of historic building structures have been preserved, and conservation methods have been improved. In the jubilee year, researchers who work on archaeological sites and towns with a similar history and position in the ancient world in the realms of art and culture were invited to contribute to a scientific discussion and exchange of experiences. The contributors were representatives of different disciplines and research methodologies: archaeologists, architects, Egyptologists, specialists in religious studies, historians and conservators. The papers in the present volume encompass interdisciplinary reviews of both new and long-term studies carried out in various regions of the ancient world.

The papers present research that was conducted in different regions ranging from ancient Mauritania, through Africa, Egypt, Cyprus, Palestine, Syria, as well as sites in Crimea and Georgia. The topography of cities, the architecture of public buildings, as well as houses and their décor — architectural, sculptural and painted — are presented. Religious syncretism and the importance of ancient texts are discussed. Studies on pottery are also presented. The volume includes studies on the conservation of architectural remains, sculpture and painting. Several articles are devoted to the study of Marina el-Alamein; others talk about ancient Alexandria, Deir el-Bahari, Hermopolis Magna, Bakchias, Pelusium, Kom Wasit, Berenike, Ptolemais, Apollonia, Palmyra, Nea Paphos, as well as Chersonesus Taurica and Apsarus.
Journal of Hellenistic Pottery and Material Culture: Subscriptions and Back-Issues One volume published annually edited by Dr Patricia Kögler, Dr Renate Rosenthal-Heginbottom and Prof. Dr Wolf Rudolph (Heads of Editorial Board). ISBN 2399-1844-HOME. Book contents pageBuy Now

For the Hellenistic Period ceramics and other commodities of daily life represent probably the most neglected objects in archaeological research. Yet, the study of Hellenistic material culture has intensified during the last twenty years, with a focus clearly on what is by far the largest category of finds, pottery. Meanwhile research has gained momentum, but still there has unfortunately been no parallel development in the media landscape. Apart from monographs, the publication of conference proceedings, which usually follow several years after the event, have remained the principal method of disseminating research results. Still lacking is a publication appearing regularly and at short intervals, that focusses research on Hellenistic pottery and is easily accessible.

The Journal of Hellenistic Pottery – JHP – wants to close this gap.

JHP is scheduled to appear once a year, more often if necessary. It should provide a forum for all kinds of studies on Hellenistic pottery and everyday objects. Apart from professional articles, the journal will contain book reviews, short presentations of research projects (including dissertations) and general news. The Editorial Board is headed by Dr Patricia Kögler, Dr Renate Rosenthal-Heginbottom and Prof. Dr Wolf Rudolph.

Subscription Rates: Print (Online version available as free PDF download)

Click here for the latest tiered rates for institutional subscriptions.
Latest issue and back-issues available to order online via the links below.
Special discounts available for private customers.

An up-to-date contents listing for the journal is available online here: JHP contents 2016-2017


BACK-ISSUES (Available in print and as free-to-download PDF eJournals)

JHP Volume 1, 2016
JHP Volume 2, 2017

Journal of Hellenistic Pottery and Material Culture: Subscription Portal for Online Access by One volume published annually. Edited by Dr Patricia Kögler, Dr Renate Rosenthal-Heginbottom and Prof. Dr Wolf Rudolph (Heads of Editorial Board). ISBN 2399-1844-PORTAL. Download

Welcome to the online portal for access to volumes of the Journal of Hellenistic Pottery and Material Culture (JHP).

For the Hellenistic Period ceramics and other commodities of daily life represent probably the most neglected objects in archaeological research. Yet, the study of Hellenistic material culture has intensified during the last twenty years, with a focus clearly on what is by far the largest category of finds, pottery. Meanwhile research has gained momentum, but still there has unfortunately been no parallel development in the media landscape. Apart from monographs, the publication of conference proceedings, which usually follow several years after the event, have remained the principal method of disseminating research results. Still lacking is a publication appearing regularly and at short intervals, that focusses research on Hellenistic pottery and is easily accessible.

The Journal of Hellenistic Pottery – JHP – wants to close this gap.

JHP is scheduled to appear once a year, more often if necessary. It should provide a forum for all kinds of studies on Hellenistic pottery and everyday objects. Apart from professional articles, the journal will contain book reviews, short presentations of research projects (including dissertations) and general news. The Editorial Board is headed by Dr Patricia Kögler, Dr Renate Rosenthal-Heginbottom and Prof. Dr Wolf Rudolph.

Access journal issues and articles via the links below:

JHP Volumes:

JHP Volume 1, 2016
JHP Volume 2, 2017
JHP Volume 3, 2018
Journal of Greek Archaeology: Subscriptions and Back-Issues One volume published annually in October/November edited by John Bintliff (Ed. in Chief). ISBN 2059-4674-HOME. Book contents pageBuy Now

An annual, international peer-reviewed English-language journal specializing in synthetic articles and in long reviews. The scope of this journal is Greek archaeology both in the Aegean and throughout the wider Greek-inhabited world, from earliest Prehistory to the Modern Era. Thus we include contributions not just from traditional periods such as Greek Prehistory and the Classical Greek to Hellenistic eras, but also from Roman through Byzantine, Crusader and Ottoman Greece and into the Early Modern period. Outside of the Aegean contributions are welcome covering the Archaeology of the Greeks overseas, likewise from Prehistory into the Modern World. Greek Archaeology for the purposes of the JGA thus includes the Archaeology of the Hellenistic World, Roman Greece, Byzantine Archaeology, Frankish and Ottoman Archaeology, and the Postmedieval Archaeology of Greece and of the Greek Diaspora. the Editorial Board is headed by Professor John Bintliff (Edinburgh University, U.K. and Leiden University, The Netherlands).A full mission statement and information on the editorial and advisory board is available here.

A free 70+ page sampler is available to download in our Open Access section designed to act as an introduction and taster to the scope and style of this new journal. It includes one complete paper and two review articles as well as full contents listings for Volume 1.

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Click here for the latest tiered rates for institutional subscriptions.
Latest issue and back-issues available to order online via the links below.
Special discounts available for private customers.

An up-to-date contents listing for the journal is available online here: JGA contents 2016-2017

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JGA Volume 1, 2016
JGA Volume 2, 2017
JGA Volume 3, 2018

KOINON: Subscriptions and Back-Issues edited by Nicholas J. Molinari (General Editor). ISBN 2631-5874-HOME. Book contents pageBuy Now

As the name indicates, KOINON is a journal that encourages contributions to the study of classical numismatics from a wide variety of perspectives. The editors will consider papers concerning iconography, die studies, provenance research, forgery analysis, translations of excerpts from antiquarian works, specialized bibliographies, corpora of rare varieties and types, ethical questions on laws and collecting, book reviews, etc. All papers go through a process of peer review orchestrated by the General Editor.

A free sampler is available to download designed to act as an introduction and taster to the scope and style of this new journal. It includes two complete papers, full contents listings for Volume 1 and subscription information.

Subscription Rates: Print and Online

Click here for the latest tiered rates for institutional subscriptions.
Latest issue and back-issues available to order online via the links below.
Special discounts available for private customers.

An up-to-date contents listing for the journal is available online here: KOINON contents 2018-

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KOINON Volume 1, 2018

NEW: Journal of Greek Archaeology Volume 3 2018 edited by John Bintliff (Ed. in Chief). Paperback; vi+526 pages; illustrated throughout in colour and black & white (107 colour plates). 3 2018. Available both in printed and e-versions. Printed ISBN 9781789690316. £60.00 (No VAT). Institutional Price £80.00 (No VAT). Epublication ISBN 9781789690323. £25.00 (Exc. VAT) Institutional Price £90.00 (Exc. UK VAT) Book contents pageBuy Now


NEW: KOINON: The International Journal of Classical Numismatic Studies Volume 1, 2018 Inaugural Issue edited by Nicholas J. Molinari (General Editor); Shawn Caza, Lloyd W.H. Taylor (Associate Editors). Paperback; 220x280mm; vi+152 pages; illustrated throughout in colour and black & white (45 plates in colour). 1 2018. Available both in printed and e-versions. Printed ISBN 9781789690293. £35.00 (No VAT). Institutional Price £50.00 (No VAT). Epublication ISBN 9781789690309. £25.00 (Exc. VAT) Institutional Price £65.00 (Exc. UK VAT) Book contents pageBuy Now

As the name indicates, KOINON is a journal that encourages contributions to the study of classical numismatics from a wide variety of perspectives. The journal will include papers concerning iconography, die studies, provenance research, forgery analysis, translations of excerpts from antiquarian works, specialized bibliographies, corpora of rare varieties and types, ethical questions on laws and collecting, book reviews, and more. The editorial advisory board is made up of members from all over the world, with a broad range of expertise covering virtually all the major categories of classical numismatics from archaic Greek coinage to late Medieval coinage.

Table of contents for the inaugural issue:
Why a New Journal in Classical Numismatics? An Editorial by Nicholas J. Molinari

GREEK NUMISMATICS
Sophocles’ Trachiniae and the Apotheosis of Herakles: The Importance of Acheloios and Some Numismatic Confirmations – by Nicholas J. Molinari
Provenance Lost and Found: Alfred Bourguignon – by John Voukelatos
A Philip III Tetradrachm Die Pair Recycled by Seleukos I – by Lloyd W.H. Taylor
Blundered Era Date on Coin of Arados, Civic Year 119 – by Martin Rowe

ROMAN NUMISMATICS
Sotto l’egida di Minerva: Echi monetali delle imprese britanniche da Cesare ai Severi – by Luigi Pedroni
A Doubted Variety of M. Aemilius Scaurus and P. Plautius Hypsaeus Vindicated – by Jordan Montgomery and Richard Schaefer
Redating Nepotian’s Usurpation and the Coinage of Magnentius – by Shawn Caza
A previously unrecorded reverse for Constantine I – by Victor Clark

ORIENTAL NUMISMATICS
The Dating and the Sequence of the Persid Frataraka Revisited – by Wilhelm Müseler
The Kilwa Coins of Sultan al-Ḥasan ibn Sulaymān in their Historical Context – by N.J.C. Smith
An Introduction to Parthian Silver Fractions, The Little Anomalies of Arsacid Coinage – by Bob Langnas
An interesting denaro tornese of the Barons Revolt of 1459-1464 and some considerations regarding Nicola II di Monforte – by Andrei Bontas

A CATALOG OF NEW VARIETIES
Naturvorstellungen im Altertum Schilderungen und Darstellungen von Natur im Alten Orient und in der griechischen Antike edited by Florian Schimpf, Dominik Berrens, Katharina Hillenbrand, Tim Brandes and Carrie Schidlo. ii+285 pages; illustrated throughout in colour and black & white (56 colour plates). German text. 411 2018. Available both in print and Open Access. Printed ISBN 9781784918255. £32.00 (No VAT). Epublication ISBN 9781784918262. Book contents pageDownload

Everyone who investigates pre-modern concepts of nature cannot avoid a critical reflection on the ancient understandings of it. Here, “nature” is understood in the sense of a seemingly untouched space, largely independent of human culture. While this concept of “nature” is prevalent in modern times, the reconstruction of ancient ideas is difficult in that concepts of nature, if at all present, emphasize other aspects. For example, the Greek term φύσις in pre-Hellenistic times defines the nature of a thing rather than an untouched environment. A word for “nature” in this sense has not been handed down to us in the remaining texts of the Ancient Near East and Classical Antiquity. Nevertheless, such concepts can certainly be reconstructed from descriptions of nature to be found in literature and the representations of natural elements in art.

The present volume aims at identifying these concepts of nature in texts as well as in archaeological remains of the Ancient Near Eastern and the Greek culture from the Archaic to the Hellenistic period. Contributions from the fields of archaeology and philology are juxtaposed for each time period in chronological order. This arrangement provides a good overview of the concepts of nature prevailing throughout different period and cultures.

GERMAN DESCRIPTION: Der Begriff „Natur“ wird in modernen, mitteleuropäischen Gesellschaften meist im Sinne eines vermeintlich unberührten Raumes verstanden, der weitgehend unbeeinflusst von menschlicher Kultur ist. Für vormoderne Kulturen lassen sich solche Vorstellungen bzw. Konzepte sehr viel schwieriger nachweisen, da beispielsweise ein Wort für „Natur“ mit der eben genannten Bedeutung in den erhaltenen Texten des Alten Orients und der griechischen Antike so nicht überliefert zu sein scheint. Gleichwohl werden durchaus Naturelemente in der antiken Literatur, der Flächenkunst sowie in antiken Monumenten beschrieben bzw. abgebildet sowie als integrative Bestandteile genutzt und funktionalisiert. Daraus lassen sich Konzepte von „Natur“ herausarbeiten und rekonstruieren. Der vorliegende Band möchte solche „Naturkonzepte“ in Texten, Artefakten und Denkmälern des Alten Orients und des griechischen Kulturraumes von der Archaik bis in den Hellenismus identifizieren und einen Überblick über die jeweils in einem bestimmten Zeit- und Kulturraum vorherrschenden Vorstellungen sowie deren diachrone Entwicklung geben.

About the Editors
FLORIAN SCHIMPF studied Classical Archaeology and History at the universities of Frankfurt and Istanbul, whilst gaining practical experiences by participating in excavations in Priene (Turkey), Portugal and on the Balkans. In 2013 he joined the Research Training Group “Early Concepts of Man and Nature” at the University of Mainz with a project on natural sanctuaries in ancient Greece and Asia Minor. His research interests lie in the fields of religious history, Greek cult practices and metrology.

DOMINIK BERRENS studied Classical Philology and Biology at the University of Freiburg. From 2013-2017 he was part of the Research Training Group “Early Concepts of Man and Nature” at the University of Mainz, where he received his doctorate with a dissertation on social insects in antiquity in 2016. Since October 2017 he has been a postdoctoral researcher working on the project “NOSCEMUS – Nova Scientia: Early Modern Science and Latin” funded by the European Research Council at the University of Innsbruck. His research interests lie in pre-modern scientific texts and ancient drama.

KATHARINA HILLENBRAND studied Classical Philology and German Studies at the Universities of Würzburg and Frankfurt. In 2014 she joined the Research Training Group “Early Concepts of Man and Nature” at the University of Mainz with a project on concepts of volcanic phenomena in Roman antiquity. Currently she is working at the department of Classical Philology at the University o
At the Crossroads of Greco-Roman History, Culture, and Religion Papers in Memory of Carin M. C. Green edited by Sinclair W. Bell and Lora L. Holland. Paperback; 175x245mm; xxiv+276 pages; illustrated throughout in black & white with 3 plates in colour. 468 2018. Available both in printed and e-versions. Printed ISBN 9781789690132. £35.00 (No VAT). Epublication ISBN 9781789690149. £16.00 (Exc. VAT) Institutional Price £35.00 (Exc. UK VAT) Book contents pageBuy Now

At the Crossroads of Greco-Roman History, Culture, and Religion brings together recent research from a range of upcoming and well-established scholars to demonstrate the richness of the cross-cultural exchange of ideas around the ancient Mediterranean along with the reception of and continuing dialogues with these ideas in the medieval and modern worlds. The crossroads theme both honours the memory of our late colleague and friend Carin M. C. Green, who published an important book on the cult of Diana—one of whose aspects was Trivia, the goddess of crossroads—and emphasizes how each encounter of new topic or genre forces the reader to pause and think before proceeding down the new path.

The contents are arranged accordingly under three headings: (1) Greek philosophy, history, and historiography; (2) Latin literature, history, and historiography; and (3) Greco-Roman material culture, religion, and literature. These papers also coincide in myriad ways across the three headings, tracing themes such as friendship, leadership, and the reception of ideas in the arenas of philosophy, historiography, manuscript studies, poetry, medicine, art, and war. Within this delimited framework, the volume’s diversity of topics and approaches to a range of genres in the Greco- Roman world is intended both to appeal to the general scholar with varied interests and to offer students a wide scope through which to consider those genres.

About the Editors
SINCLAIR W. BELL is a classical archaeologist and art historian who teaches at Northern Illinois University. He is the co-editor of ten books, the Associate Editor of Etruscan and Italic Studies, and the author of numerous works on Etruscan and Roman art and archaeology. He is a recipient of fellowships from the American Academy in Rome, the Deutscher Akademischer Austauschdienst, and the George A. and Eliza Gardner Howard Foundation.

LORA L. HOLLAND chairs the department of Classics at the University of North Carolina at Asheville. Her main area of research is the religions of the Roman Republic but she has published on a wide range of topics, including Greek tragedy, Roman comedy, and the history of women in Roman religion. She is a former Blegen Research Fellow at Vassar College, Visiting Fellow in Greek and Roman Religion at the Center for Hellenic Studies, and Visiting Scholar at the American Academy in Rome.
A Bestiary of Monsters in Greek Mythology by Spyros Syropoulos. Paperback; 148x210mm; viii+140 pages; illustrated throughout in colour and black & white (21 colour plates). (Print £19.99). 451 2018. Available both in printed and e-versions. Printed ISBN 9781784919504. £19.99 (No VAT). Epublication ISBN 9781784919511. £16.00 (Exc. VAT) Institutional Price £19.99 (Exc. UK VAT) Book contents pageBuy Now

Greek myths abound in images of beauty and perfection: charming gods, attractive goddesses, and handsome heroes, all of them standards of physical and spiritual flawlessness. However, the ancient Greeks were not fond of absolutes. No god or hero is shown without blemishes in character and ethics, and some are even physically imperfect, like Hephaestus, who is ugly and lame. Another element that dominates Greek mythology is the idea of balance. Good and evil, light and darkness, hubris and punishment. What could not be missing from this world is the image of reversed beauty: monstrosity. The aim of this book is to explore the realm of the imaginary world of Greek mythology and present the reader with a categorization of monstrosity, referring to some of the most noted examples in each category.

About the Author
SPYROS SYROPOULOS is an Associate Professor of Ancient Greek Literature at the Dept of Mediterranean Studies of the University of the Aegean in Rhodes. He is the acting Vice-Rector of the University of the Aegean (2014-2018). Since 2006, he teaches Ancient Greek Theater at the Open University of Greece. He is the director of the Masters Course ‘Theater as a social and political institution during antiquity’ at the Department of Mediterranean Studies of the University of the Aegean. He is the founder and editor of the electronic journal ELECTRYONE (http://www.electryone.gr) and since 2017 he is the General Secretary of the Greek delegation at the European University Association.
Oikèma ou pièce polyvalente: recherches sur une installation commerciale de l’Antiquité grecque by Pavlos Karvonis. Paperback; 203x276mm; 110pp; illustrated throughout in colour and black & white. French text. 60 2018. Available both in print and Open Access. Printed ISBN 9781784919399. £34.00 (No VAT). Epublication ISBN 9781784919405. Book contents pageDownload

This volume discusses the evolution of oikema, which is the most common type of commercial facility in ancient Greece. The study covers a large area including Continental Greece, the Aegean islands, the Ionian islands and the west coast of Asia Minor. The author, after a thorough analysis, proposes a new terminology for commercial and industrial facilities. The book also presents the architectural characteristics and the equipment of oikemata and discusses their location and relationship with other buildings. The ownership, use and maintenance of oikemata are also discussed. It is argued that oikemata provided merchants and craftsmen with a suitable working space and contributed to the gradual abandonment of houses as working places, especially in cities that developed in the Hellenistic period. Their characteristics corresponded perfectly well to the needs of Greek commerce.

PAVLOS KARVONIS studied archaeology in Athens from 1994 to 1998. In 2000, he finished his Masters degree at the University of Paris X-Nanterre and in 2004 he defended a thesis entitled “Lieux et locaux de vente dans la Grèce égéenne du IVe au Ier siècle av. J.-C.” at the same University. In 2006, he worked for the Archaeological Society at Athens, and since 2007 he has been working for the Academy of Athens in the Tabula Imperii Romani program. He has published two volumes on the Aegean islands and Attica, and has published several articles on commercial architecture. He is also preparing the publications of two commercial buildings located on the western shore of the island and participates in a research programme on stone and its use on Delos.

Table of Contents
Avant-propos
English Summary
Nomenclature
Le vocabulaire antique des installations commerciales
Les critères d’identification des pièces polyvalentes
L’apparition de la pièce polyvalente
Les activités attestées dans les pièces polyvalentes
Les caractéristiques des pièces polyvalentes
La gestion des pièces polyvalentes
Les pièces polyvalentes et l’organisation du commerce
Conclusion
Bibliographie
Index des lieux
Index des mots grecs
Index des auteurs anciens
Index des inscriptions
Origine des illustrations
How Did the Persian King of Kings Get his Wine? The upper Tigris in antiquity (c.700 BCE to 636 CE) by Anthony Comfort and Michał Marciak. Paperback; 175x245mm; iv+148 pages; illustrated throughout in colour and black & white (46 plates in colour). (Print RRP £32.00). 457 2018. Available both in printed and e-versions. Printed ISBN 9781784919566. £32.00 (No VAT). Epublication ISBN 9781784919573. £16.00 (Exc. VAT) Institutional Price £32.00 (Exc. UK VAT) Book contents pageBuy Now

How did the Persian King of Kings Get His Wine? the upper Tigris in antiquity (c.700 BCE to 636 CE) explores the upper valley of the Tigris during antiquity. The area is little known to scholarship, and study is currently handicapped by the security situation in southeast Turkey and by the completion during 2018 of the Ilısu dam. The reservoir being created will drown a large part of the valley and will destroy many archaeological sites, some of which have not been investigated. The course of the upper Tigris discussed here is the section from Mosul up to its source north of Diyarbakır; the monograph describes the history of the river valley from the end of the Late Assyrian empire through to the Arab conquests, thus including the conflicts between Rome and Persia. It considers the transport network by river and road and provides an assessment of the damage to cultural heritage caused both by the Saddam dam (also known as the Eski Mosul dam) in Iraq and by the Ilısu dam in south-east Turkey. A catalogue describes the sites important during the long period under review in and around the valley. During the period reviewed this area was strategically important for Assyria’s relations with its northern neighbours, for the Hellenistic world’s relations with Persia and for Roman relations with first the kingdom of Parthia and then with Sassanian Persia.

About the Authors
ANTHONY COMFORT is an independent scholar associated with the Centre for the Study of Greek and Roman Antiquity at Corpus Christi College, Oxford. After a career in the secretariat of the European Parliament, he completed a doctoral dissertation dealing with the roads on the frontier between Rome and Persia at Exeter University under the supervision of Stephen Mitchell. He is a specialist in the use of satellite imagery for archaeology in the Middle East but is now responsible for a project concerning the Roman roads of south-west France, where he lives.

MICHAL MARCIAK, PhD (2012), Leiden University, is an Assistant Professor at the Jagiellonian University in Kraków (Poland). He has published extensively on Northern Mesopotamia, including two monographs Izates, Helena, and Monobazos of Adiabene (Harrassowitz, 2014) and Sophene, Gordyene, and Adiabene: Three Regna Minora of Northern Mesopotamia Between East and West (Brill, 2017). He is currently also the Principal Investigator of the Gaugamela Project (in cooperation with the Land of Nineveh Archaeological Project of the University of Udine, Italy) which is dedicated to the identification of the site of the Battle of Gaugamela (331 BCE).
Representations of Animals on Greek and Roman Engraved Gems Meanings and interpretations by Idit Sagiv. Paperback; 175x245mm; vi+198 pages; 98 illustrations (51 plates in colour). (Print RRP £35.00). 439 2018. Available both in printed and e-versions. Printed ISBN 9781784918699. £35.00 (No VAT). Epublication ISBN 9781784918705. £16.00 (Exc. VAT) Institutional Price £35.00 (Exc. UK VAT) Book contents pageBuy Now

Whereas animals are a frequent depiction on gemstones within the Greek and Roman periods, and play a key role in symbolic representations on these engraved gems, they have generally been overlooked with little in the way of focussed academic study.

In the present research, a large group of Greek and Roman gems (intaglios) bearing depictions of animals was selected. The gems are presented through a detailed study of the themes described in an attempt to form a comprehensive approach to the depictions of animals and their significance on Greek and Roman gems. The work examines the associations between animal depictions and the type of gemstone and its believed qualities. The study also discusses the changes in representation of animals on gems compared to other, larger media, and questions the significance of these changes. It is concluded here that as far as animal motifs are concerned, the gems could be accorded with a deeper symbolism, such as good luck, abundance and fertility, health, success, and victory. All these motifs are perceived as capable of weakening hostile forces. The animals engraved can also symbolise nature's abundance and fertility, especially when represented along with their offspring, pasturing and grazing, or accompanied by such fertility symbols as cornucopia, ears of corn, and wine goblets. Other animals are related to certain gods, and even comprise their attributes, and thus it was believed that the owner of an engraved gem was accorded divine protection.

About the Author
Dr. Idit Sagiv is a researcher of Classical Art. She completed her MA and PhD studies at Tel Aviv University. Her research and publications focus on Greek and Roman engraved gems. Since 2016, she is an academic member of the History of Art Department, Tel-Aviv University, where she teaches courses on Classical Art.
Hercules’ Sanctuary in the Quarter of St Theodore, Pula by Alka Starac. Paperback; vi+126 pages; illustrated throughout in colour and black & white (42 colour plates). 431 2018 Archaeopress Roman Archaeology 40. Available both in printed and e-versions. Printed ISBN 9781784918736. £32.00 (No VAT). Epublication ISBN 9781784918743. £16.00 (Exc. VAT) Institutional Price £32.00 (Exc. UK VAT) Book contents pageBuy Now

Hercules’ Sanctuary in the Quarter of St. Theodore in Pula deals with many aspects of the Roman sanctuary erected at the spring in Pula as well as with objects of cult dated to the Hellenistic period. The site was in use from the late fourth century BC to the fall of the Western Roman Empire, a date that approximately coincides with the demolition of the temple. Research focuses on Roman foundations which trace the ground plan of the temple that was surrounded by portico. Architectural fragments found at the site, as well as those kept in the collection of Pula Museum, were used to form proposals for a hypothetical reconstruction of the temple. The discovery of a relief club is the only reliable link with a particular deity i.e. Hercules. The continuity of the cult of Hercules has been recognised at the spring from the Histrian to Roman periods. Hercules was considered a founder and patron of the Roman colony of Pola. Nearness of the assumed umbilicus of the colony offers additional reasons to reconsider sacred rituals of the foundation of the colony. Traces of ritual desacralization, purification and storing of sacrificial remnants could be recognised at the site. A hypothetical reconstruction of the Roman sanctuary is followed by calculations of construction costs.

About the Author
ALKA STARAC (born 15 April 1966 in Pula) defended PhD thesis Roman Rule in Histria and Liburnia in 1996 at the University of Zagreb, Faculty of Philosophy. During her studies, Alka obtained Rector’s award of the Faculty of Philosophy in Zagreb for year 1986/1987. She was the winner of scholarship of CNRS France for scholarly research (duration six months) at Centre Pierre Paris, Bordeaux, in 1994. She worked as Head of Roman Archaeology Department and was senior curator in the Archaeological Museum of Istria, Pula (Croatia) and at the University of Juraj Dobrila, Pula. She is the author of some eighty scholarly papers published in archaeological journals with international review, as well as of eight monographs and of exhibitions in the field of Roman archaeology, epigraphy, history and economy.
Settlement and Land Use on the Periphery: The Bouros-Kastri Peninsula, Southern Euboia by Jere M. Wickens, Susan I. Rotroff, Tracey Cullen, Lauren E. Talalay, Catherine Perlès, and Floyd W. McCoy. 274pp; illustrated throughout in black & white. 410 2018. Available both in printed and e-versions. Printed ISBN 9781784918194. £32.00 (No VAT). Epublication ISBN 9781784918200. £16.00 (Exc. VAT) Institutional Price £32.00 (Exc. UK VAT) Book contents pageBuy Now

The Bouros-Kastri peninsula at the south-eastern tip of the Greek island of Euboia has previously been overlooked in the archaeological literature. This survey by the Southern Euboea Exploration Project, conducted under the aegis of the Canadian Institute in Greece, now provides a wealth of intriguing information about fluctuations in long-term use and habitation in this part of the Karystia. While the peninsula is agriculturally poor, its coast is blessed with several small coastal inlets and one important ancient port, Geraistos. These provide access to vital maritime routes and connect the peninsula to Athens and other Aegean ports. The survey revealed modest use of the peninsula during the Neolithic and Early Bronze Age; it was then virtually abandoned for the following two and a half millennia. Occupation resumed in the Late Archaic–Early Classical period, followed by near desertion in the 3rd century BC of all but some coastal sites, a resurgence of activity in the Late Roman period, and modest use in Byzantine and Ottoman times. The authors analyse the ways in which the peninsula's use was connected to that of the main urban centre at Karystos, and how the peninsula and the greater Karystia were integrated into the political, economic, and cultural spheres of Athens and the broader region.

About the Authors
JERE M. WICKENS, a co-director of the Southern Euboea Exploration Project, is interested in the use of rural areas and the use of caves. Outside of the Karystia, he has conducted fieldwork in Albania and Attica, Greece, where he is conducting a diachronic study of the use of caves and rock shelters.

SUSAN I. ROTROFF has published several volumes on the Hellenistic pottery of the Athenian Agora and of Sardis, in Turkey, and is particularly interested in the use of pottery to reconstruct the activities of people of the past. She is a MacArthur Fellow and winner of the Gold Medal of the Archaeological Institute of America.

TRACEY CULLEN is an Aegean prehistorian who has participated in fieldwork in Greece and Cyprus, focusing on the study of early ceramics and funerary customs. She served as Associate Editor of the American Journal of Archaeology and later as Editor of Hesperia, and currently lives in northern Minnesota (USA).

LAUREN E. TALALAY is an Aegean prehistorian who focuses on the Neolithic period of Greece and the Mediterranean. Her research explores the use of the human body as a symbol, figurines, and gender. She also publishes on contemporary issues, particularly on the employment of archaeological and mythical images in modern advertising and political cartoons. The former Associate Director and Curator at the Kelsey Museum of Archaeology, University of Michigan, she is currently Curator Emerita and Research Associate at the Kelsey Museum.

CATHERINE PERLÈS is a specialist of Greek Prehistoric stone tools and of the Greek Neolithic. She has worked extensively on trade networks and holds an Honorary degree from Indiana University.

FLOYD W. MCCOY is a geoarchaeologist/geologist with research emphasis on the interaction of volcanism and climate change with ancient and modern cultures both in Hawaii and Greece. He is professor in geology, geophysics, and oceanography at the University of Hawaii.

Table of Contents
Chapter 1: Introduction; Previous Research by SEEP in the Karystia; Archaeological Work on the Bouros-Kastri Peninsula; Goals and Scope of the Bouros-Kastri Survey; Chapter 2: Topography, Geology, and Tectonics; Topography; Geology and Tectonics of Southern Euboia; Geomorphology; Tectonics, Sea-Level Changes, and Palaeoclimates; Paleozoic–Mesozoic Bedrock; Cenozoic Rocks and Sediments; Soils; Natural Resources; Natural Hazards; Chapter 3: Chronological Overview of the Karystia; Prehistory; Late Neolithic; Final Neolithic; Early Bronze Age; Middle Bronze Age; Late Bronze Age; Historical Periods; Early
Unearthing Alexandria’s Archaeology: The Italian Contribution by Mohamed Kenawi and Giorgia Marchiori. Paperback; 205x290mm; viii+194 pages; highly illustrated throughout in colour and black & white (81 colour plates). 423 2018. Available both in printed and e-versions. Printed ISBN 9781784918651. £38.00 (No VAT). Epublication ISBN 9781784918668. £16.00 (Exc. VAT) Institutional Price £38.00 (Exc. UK VAT) Book contents pageBuy Now

Unearthing Alexandria’s Archaeology: The Italian Contribution contains the results of an archival survey, historical research, and archaeological description of the main Italian excavations in Alexandria from the 1890s to the 1950s. The Italian archaeological investigations in the city of Alexandria are presented through unpublished photographs of Evaristo Breccia, Achille Adriani, and some of the glass negatives of the Graeco- Roman Museum of Alexandria.

Various Italians contributed to the fieldwork and the production of drawings and plans, and documenting the majority of the most important sites in Alexandria, on which our archaeological knowledge today is based. But their names have been forgotten compared with Giuseppe Botti, Breccia, and Adriani: Giacomo Biondi, Gino Beghé, Antonio Gentili, Giuseppe Ramacciotti, Mariano Bartocci, Giovanni Dattari, Despina Sinadino, Michele Salvago, Orazio Abate, and Giovanni Peruto. The book gives detailed descriptions of the Italian excavations at Hadra, Chatby, Anfushi, Kom al-Chougafa, the Serapeum, and Kom al-Dikka, accompanied by often unpublished photographs and followed by a catalogue of other rare photographs of different archaeological sites in Alexandria.

About the Authors
MOHAMED KENAWI was Head Researcher (2011–16), followed by Acting Director (2016–17), of the Hellenistic Centre of Bibliotheca Alexandrina, Alexandria. He taught at the American University in Cairo and at Catania University. He has participated in various archaeological missions in Libya, Italy, and Egypt, among them those at Kom al-Ahmer/Kom Wasit, Athribis, and Dionysias. He currently collaborates on projects with Padua University, the City University of New York, and Tübingen University. At present, he is a Researcher and Training Manager at the School of Archaeology, University of Oxford, for the Endangered Archaeology of the Middle East and North Africa project. He has published many articles about his research in the Delta and Fayoum, in addition to his monograph, Alexandria’s Hinterland: Archaeology of the Western Nile Delta, Egypt (2014). He is Egypt Coordinator for the Manar al-Athar open-access photo-archive www.manar-al-athar.ox.ac.uk.

GIORGIA MARCHIORI has worked on a number of archaeological projects in Egypt: the Tell Timai Project of the University of Hawaii, the Dionsyais Archaeological Project of the Siena University, and the Kom al-Ahmer – Kom Wasit Archaeological Project of Padova University and the Centro Archeologico Italo-Egiziano. She has also worked on archaeological expeditions in Mexico. Having completed an MSc in GIS and Spatial Analysis in Archaeology at the Institute of Archaeology, University College London, she is currently doing her PhD at Durham University on late Roman housing in the Western Nile Delta.
Cycladic Archaeology and Research: New Approaches and Discoveries edited by Erica Angliker and John Tully. 298pp; illustrated throughout in colour and black & white. 417 2018. Available both in printed and e-versions. Printed ISBN 9781784918095. £50.00 (No VAT). Epublication ISBN 9781784918101. £16.00 (Exc. VAT) Institutional Price £50.00 (Exc. UK VAT) Book contents pageBuy Now

Cycladic Archaeology and Research: New approaches and discoveries reflects the present exciting times in Cycladic archaeology. New excavations are bringing to light sanctuaries unmentioned by literary sources and inscriptions (e.g., Kythnos, Despotiko); new theoretical approaches to insularity and networks are radically changing our views of the Cyclades as geographic and cultural unit(s). Furthermore, the restoration and restudy of older sites (e.g., Delos, Paros, Naxos) are challenging old truths, updating chronologies and contexts throughout the Mediterranean and beyond. This volume is intended to share these recent developments with a broader, international audience. The essays have been carefully selected as representing some of the most important recent work and include significant previously-unpublished material. Individually, they cover archaeological sites and materials from across the Cycladic islands, and illustrate the diversity of the islands’ material culture across the Geometric, Archaic, Classical, Hellenistic, Roman, and Late Antique periods. Together, they share common themes such as the importance of connectivity, and the role of each island’s individual landscape and its resources in shaping human activity. The work they represent attests the ongoing appeal of the islands and of the islanders in the collective imagination, and demonstrates the scope for still further innovative work in the years ahead.

About the Editors
ERICA ANGLIKER is a PhD student at the University of Zurich, where she is preparing the publication of her monograph on the cults and sanctuaries of the Cycladic islands. She has published on the culture and religion of the Cyclades and is a member of the scientific team at the excavations of the sanctuary of Despotiko, where she has been digging since 2012. Her research focuses on Greek cults and religions in the public and private sphere, from the Geometric to the Hellenistic era. Her special interests include cults practised at natural sites or involving natural elements, as well as topics in island studies, such as insularity, socioeconomic networks, and maritime travel logs.

JOHN TULLY studied Greats at the University of Oxford before writing his doctoral dissertation on the Hellenistic Cyclades at Harvard and Princeton. He is now a principal at Delivery Associates, where he helps governments improve the lives of citizens.
Visualizing cityscapes of Classical antiquity: from early modern reconstruction drawings to digital 3D models With a case study from the ancient town of Koroneia in Boeotia, Greece by Chiara Piccoli. Paperback; 203x276mm; xiv+314 pages; illustrated throughout in colour and black & white (100 colour plates). 53 2018. Available both in print and Open Access. Printed ISBN 9781784918897. £59.00 (No VAT). Epublication ISBN 9781784918903. Book contents pageDownload

The amount of 3D modelling applications in archaeology has increased enormously over the last decade. 3D recording techniques allow researchers to quickly and accurately document archaeological evidence, and 3D reconstructions have created new possibilities to communicate the results to a larger public. In this latter case, however, numerous scholars have expressed their concern regarding the ethics of such digital representations, since they give prominence to a crystallized image of the past and do not account for the complexity of the archaeological record. The study presented here aims to make a practical contribution to a new understanding and use of 3D reconstructions, namely as ‘laboratories’ to test hypotheses and visualize, evaluate and discuss alternative interpretations.

In order to do so, an analysis of visual reconstructions of the early and late modern period is presented first, followed by a discussion of current applications of 3D digital reconstructions, with a special focus on cityscapes. Lastly, a practical implementation of a research-driven, intellectually transparent and GIS-based 3D reconstruction is proposed for the urban site of Koroneia, in Boeotia, Central Greece. Specifically, the methodology developed in this work uses tools that are employed in geo-design and modern urban planning in an innovative way, integrating GIS with a rule-based modelling approach. With a strong focus on the automation and iteration of the reconstruction process, our 3D visualization provides an intuitive insight into hidden relationships and associations among data, and allows the creation and evaluation of alternative reconstruction hypotheses.

About the Author
CHIARA PICCOLI is an Italian archaeologist currently employed as a staff member of the Digital Archaeology Research group at the Faculty of Archaeology in Leiden, The Netherlands. Her expertise lies in the applications of 3D modelling techniques and 2D-3D GIS to visualize and analyse archaeological evidence. Her research interests include urban studies, visual studies, and the exploitation of digital tools and new technologies for documentation, visualization, analysis and dissemination. She has participated in several excavations and surveys in Italy, Greece and Morocco. Chiara holds a BA in Cultural Heritage (University of Trento), an MA in Greek and Roman Archaeology (University of Siena) and an MA in Book and Digital Media Studies (Leiden University). She received the Tiele-Stichting Thesis Prize 2011 for the best MA dissertation in the field of Book History in the Netherlands.
Commemorating Conflict: Greek Monuments of the Persian Wars by Xavier Duffy. viii+210 pages; illustrated throughout in black & white with 10 plates in colour. 412 2018. Available both in printed and e-versions. Printed ISBN 9781784918392. £26.00 (No VAT). Epublication ISBN 9781784918408. £16.00 (Exc. VAT) Institutional Price £26.00 (Exc. UK VAT) Book contents pageBuy Now

This study is concerned with how the Greek peoples, of primarily the classical period, collectively commemorated the Persian Wars. The data presented here are public monuments, which include both physical and behavioural commemorations. The aim of this work is to reveal and present the methods by which Greeks of the fifth century BC commemorated the Persian Wars. Several trends have drawn attention away from studies presenting commemorative practices in their entirety: the focus on singular monument types, individual commemorative places, a particular commemorating group or specific battle, and an overemphasis on Athenian commemorations. This project works towards rectifying this issue by highlighting the variations in commemorative traditions. This holistic approach to the data, which is inclusive in its remit of commemorative objects, places, and groups, allows for a more complete representation of the commemorative tradition. What emerges from this study is the compilation of all known ancient Greek monuments to commemorate the battles of Marathon, Salamis, Artemisium, Thermopylae and Plataea.

About the Author
XAVIER DUFFY graduated with a PhD in the commemoration of ancient Greek warfare in 2016 from the University of Birmingham’s School of Classics, Ancient History and Archaeology. Xavier has taught Classical Archaeology at the University of London and University of Winchester and has a keen interest in material culture. This interest was nurtured while working as Assistant Collections Manager at the British Museum from 2009-2017. This book is the result of Xavier’s postgraduate research on the commemorations of the Persian Wars specifically.

Table of Contents
PREFACE; 1: INTRODUCTION; 2: CONTEXTUALISING THE COMMEMORATIONS OF THE PERSIAN WARS; 3: COMMEMORATIVE GROUPS AND COMMEMORATIVE PLACES; 4: MONUMENTS BY TYPE; 5: THE MONUMENTS AND THE EVIDENCE; BIBLIOGRAPHY
SOMA 2015: Time, Space and People Proceedings of the 19th Symposium on Mediterranean Archaeology edited by Murat Arslan. iv+190 pages; illustrated throughout in colour and black & white (69 colour plates). 49 2018. Available both in print and Open Access. Printed ISBN 9781784918514. £44.00 (No VAT). Epublication ISBN 9781784918521. Book contents pageDownload

The 19th annual meeting of the Symposium on Mediterranean Archaeology (SOMA) was held in Kemer/Antalya (Turkey) from the 12th to the 14th of November, 2015. As has been the case in the past, this symposium continues to provide an important opportunity for scholars and researchers to come together and discuss their academic studies in a friendly and supportive atmosphere. The proceedings of SOMA 2015 contain eighteen interdisciplinary articles on themes from underwater archaeology to history, archaeometry and art history, and chronologically, the subjects of these articles range from the Bronze Age to the 20th century.

About the Editor
Murat Arslan is the editor of SOMA 2015. He is professor of Ancient History at Akdeniz University in Antalya (Turkey). He is interested in Ancient Greek and Ancient History, especially the Classical and Hellenistic periods, and historiography. In addition to his monographs (Galatians, Mithradates VI Eupator, Classical and Hellenistic History of Byzantion), his translations and commentaries on periplus (Arrianus, Ps. Scylax), and Memnon of Heracleia Pontica, he is the current editor in chief of several international journals (Cedrus, MJH, Phaselis, Libri).
Problems of Chronology in Gandhāran Art Proceedings of the First International Workshop of the Gandhāra Connections Project, University of Oxford, 23rd-24th March, 2017 edited by Wannaporn Rienjang and Peter Stewart. DOI: 10.32028/9781784918552. Paperback; 203x276mm; iv+166 pages; illustrated throughout in colour and black & white (56 colour plates). 419 2018. Available both in print and Open Access. Printed ISBN 9781784918552. £32.00 (No VAT). Epublication ISBN 9781784918569. Book contents pageDownload

Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent.

Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address.

Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. It presents the proceedings of the first of three international workshops on fundamental questions in the study of Gandhāran art, held at Oxford in March 2017.

About the Editors
WANNAPORN RIENJANG is Project Assistant of the Gandhāra Connections Project at the Classical Art Research Centre, Oxford. She completed her doctoral degree in Archaeology at the University of Cambridge on Buddhist relic cult in Afghanistan and Pakistan. Before starting her PhD, she worked as a research assistant for the Masson Project at the Department of Coins and Medals, the British Museum. Her research interests include the art and archaeology of Greater Gandhāra, Buddhist studies, and working technologies of stone containers and beads.

PETER STEWART is Director of the Classical Art Research Centre and Associate Professor of Classical Art and Archaeology at the University of Oxford. He has worked widely in the field of ancient sculpture. His publications include Statues in Roman Society: Representation and Response (2003) and The Social History of Roman Art (2008). Much of his research concerns the relationship between Gandhāran art and Roman sculpture.

Il complesso monumentale di Baitokaike (Hoson Sulaiman – Siria) by Tarek Ahmad. vii+116 pages; illustrated throughout in colour and black & white (55 colour plates). Italian text with English summary. 391 2018 Archaeopress Roman Archaeology 34. Available both in printed and e-versions. Printed ISBN 9781784917746. £26.00 (No VAT). Epublication ISBN 9781784917753. £16.00 (Exc. VAT) Institutional Price £26.00 (Exc. UK VAT) Book contents pageBuy Now

The architecture of the temple at Baitokaike shares the characteristics that are typical of the Phoenician region especially during the imperial era. Baitokaike corresponds to that Phoenician tradition, but our knowledge about the foundation of these shrines and their development is still limited. This study aims to deepen this topic, while proposing new chronological phases of the site, starting from the time when it was an open cult place, through the architectural analysis of its buildings. In addition, it reexamines the Seleucid and Roman privileges of the sanctuary in order to extend our understanding of the territory of Baitokaike: agriculture, production and trade, the connecting roads and transport to nearby urban centers. Finally, the study of the iconography of the Greco-Latin inscriptions on site reveal the nature of the Zeus cult at Baitokaike as well as the rituals and processions that took place in the sanctuary.

This monograph also contains three appendices. The first is a collection of the Greek-Latin inscriptions found on the site, and includes an unpublished inscription found on an altar in the sanctuary. The second appendix constitutes a numismatic study of 46 coins uncovered during the excavation of 2004. Finally, the last appendix presents a catalogue of selected archaeological finds like pottery sherds, bronze and bones objects.

Italian description:
Il complesso di Baitokaike (Hoson Sulaiman) è considerato uno degli esempi più peculiari di santuari rurali romani in Siria che pongono la problematica relativa alla creazione dei luoghi di culto extraurbani e il loro sviluppo architettonico durante il periodo classico. Questo lavoro si propone di affrontare tale problematica su un piano archeologico e storico esaminando nel dettaglio la morfologia spaziale e architettonica del complesso di Baitokaike tramite un’analisi comparata dei suoi edifici con altre strutture religiose siriane e dell’Asia Minore, e mediante una accurata classificazione delle sue evidenze epigrafiche, numismatiche e di altri materiali archeologici, per lo più inediti, provenienti dai recenti scavi nel sito. Il libro è teso a discutere anche lo status politico e amministrativo di Baitokaike e il suo territorio sacro durante l’epoca ellenistica e romana tramite uno studio epigrafico delle sue iscrizioni, soprattutto quelle relative ai privilegi concessi dai Seleucidi e confermati successivamente dagli imperatori romani. Il fulcro di questo lavoro, dunque, è quello di riesaminare l’architettura del complesso monumentale di Baitokaike e di proporre un suo nuovo inquadramento cronologico.

Tarek Ahmad è un assegnista di ricerca della Philipp Schwartz Iniziative della Fondazione di Alexander von Humboldt presso l’università di Heidelberg in Germania, dove esegue un progetto di ricerca sul tema: “Il paesaggio sacro rurale nella Siria romana; studio architettonico e paesaggistico”, sul quale ha pubblicato alcuni articoli. Ahmad ha conseguito il suo dottorato in Archeologia presso l’università La Sapienza (Roma 1) in Italia sotto la supervisione della Prof.ssa Eugenia Equini Schneider ed era un docente all’università di Damasco in Siria e membro di varie missioni archeologiche.
Alexandria and Qumran: Back to the Beginning by Kenneth Silver. xxvi+586 pages; 42 figures, 11 maps and plans (24 plates in colour). 381 2017. Available both in printed and e-versions. Printed ISBN 9781784917289. £45.00 (No VAT). Epublication ISBN 9781784917296. £15.83 (Exc. VAT) Institutional Price £45.00 (Exc. UK VAT) Book contents pageBuy Now

This year, 2017, marks 70 years since the discovery of the famous Dead Sea Scrolls at Khirbet Qumran by the Dead Sea in 1947. The Dead Sea Scrolls are one of the most well-known archaeological discoveries of the 20th century. This book addresses the proto-history and the roots of the Qumran community and of the Dead Sea Scrolls in the light of contemporary scholarship in Alexandria, Egypt. Alexandria, as the centre for Hellenistic Jews and the location of the Library of Alexandria, forms a key to understanding the theme of the book. The relationship of this context to the thoughts of the Essenes, the Jewish philosopher Philo of Alexandria, the Jewish Therapeutae of Egypt living in the neighbourhood of Alexandria and the Pythagoreans are especially studied in this work. Historical sources (both Jewish and Classical authors) and archaeological evidence are taken into account in the wider Graeco-Roman context. The connection between the Jewish Therapeutae in the Lake Mareotis region and the Palestinian Essenes is explained by the ‘Jewish Pythagoras’ based on the idea that the movements share the same philosophical tradition based on Judaism and Pythagoreanism. The prototypes of the Dead Sea Scrolls are explained in their Egyptian context, in association with the Library of Alexandria, the Egyptian temple manuals, and the formation of libraries in the Hellenistic period including that of Qumran.

About the Author:
Dr Kenneth Silver is a historian and professional archaeologist, who has lived and worked for decades in the Near East. He is a specialist in Hellenistic and Roman archaeology, history and numismatics. He has worked with archaeological material in Israel, Egypt, Jordan, Syria and Turkey. He has previously published a number of scientific articles and monographs in this field. His current research interests include the study of early Jewish-Christian relations and the history of early Christianity. Presently he is the director of a survey and mapping project in Northern Mesopotamia studying the border zone between the late Roman/ Byzantine Empire and Persia.