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NEW: The River: Peoples and Histories of the Omo-Turkana Area edited by Timothy Clack and Marcus Brittain. Paperback; 210x210mm; xii+186 pages; illustrated throughout in colour and black & white (121 colour plates). (Print RRP £40.00). 480 2018. Available both in print and Open Access. Printed ISBN 9781789690330. £40.00 (No VAT). Epublication ISBN 9781789690347. Book contents pageDownload

The Omo-Turkana area is unlike any place on earth. Spanning parts of Ethiopia, South Sudan and Kenya, the area is today home to a unique diversity of peoples and cultures. Extraordinary fossil finds from the locale have illuminated the evolutionary origins of our species and archaeological and historical evidence has demonstrated it has been a dynamic crossroads of peoples, languages and identities for millennia. Over the past two decades, development interventions have transformed the environment and presented a threat to local forms of material and intangible heritage. Many local groups now face challenges to the long-term sustainability of their traditional ways of life. This sumptuously illustrated book brings together a remarkable collection of the world’s leading archaeologists, ecologists, historians and ethnographers who specialise in the locale. Recognising the Omo-Turkana area as a crucial resource of global heritage, the authors also acknowledge its current vulnerability.

‘The current socio-economic and political happenings in the Omo-Turkana Basin are profoundly disturbing. Showcasing the area’s global importance, this compilation is a timely and crucial landmark in the pages of African history and archaeology’. - Dr Richard Leakey, Turkana Basin Institute

‘Written by eminent scholars, this book showcases the rich and unique heritage of the Lower Omo Valley from prehistory to the present’. - Prof Tekle Hagos, Addis Ababa University

‘This collection of essays highlights the deep history of the Omo-Turkana basin, and the material and cultural traditions of the region’s inhabitants past and present. The reader is treated to rich, textured insights into the remarkable heritage of this part of the African continent, the many environmental and political challenges facing today’s inhabitants, and their continuing resilience in the face of adversity’. - Prof Paul Lane, University of Cambridge

NEW: Early Maritime Cultures in East Africa and the Western Indian Ocean Papers from a conference held at the University of Wisconsin-Madison (African Studies Program) 23-24 October 2015, with additional contributions by Akshay Sarathi. Paperback; 203x276mm; viii+228 pages; illustrated throughout in colour and black & white (60 plates in colour). 66 2018. Available both in print and Open Access. Printed ISBN 9781784917128. £48.00 (No VAT). Epublication ISBN 9781784917135. Book contents pageDownload

The East African coast and the Western Indian Ocean are regions of global historical significance. This volume contains papers first presented at the conference, Early Maritime Cultures of the East African Coast, held at the University of Wisconsin-Madison on October 23-24, 2015. Rather than limiting publication to the proceedings of the conference, additional contributions were solicited to expand the scope of the research presented and to place East Africa in its broader geographic and cultural contexts. The resulting volume focuses broadly on East Africa and the Western Indian Ocean and unites the papers under the general themes of movement and connection.

These papers represent a multi-disciplinary effort to examine East Africa and the Western Indian Ocean. Multiple lines of evidence drawn from linguistics, archaeology, history, art history, and ethnography come together in novel ways to highlight different aspects of the region’s past and offer innovative avenues for future research. The papers cover a diverse array of topics, including but not limited to: subsistence, watercraft traditions, trade and exchange (especially concerning the Silk Routes), migration, food ways, and familial relationships. This volume is unique in that it includes some speculative research as well, intended to present novel methods to deal with data-poor topics and to start important conversations about understudied topics.

The goal of this volume is to showcase aspects of the complex cultures and histories of this vast region and to emphasize its importance to world history. Ideally, it will generate scholarly and popular interest in the histories and cultures of the region and bring to the fore Africa’s and the Western Indian Ocean’s important (yet often overlooked) role in world historical narratives. It may also serve as a more advanced introduction to East Africa’s and the Western Indian Ocean’s history of interaction with other regions of the Old World and as a survey of methods used to understand the region’s past.

About the Editor
AKSHAY SARATHI is a graduate student of Archaeology at the University of Wisconsin-Madison. His research interests include the zooarchaeology of maritime adaptations, Indian Ocean trade and exchange, and East African coastal archaeology. More specifically, his current research project focuses on the island of Zanzibar, where he has excavated the sites of Unguja Ukuu, Kizimkazi Dimbani, and Kuumbi Cave. Data from these sites will form the basis of his dissertation, which will examine how dietary preferences changed over time at each site in response to various stimuli over time. He currently resides in Madison, WI (USA) with his two feline overlords.
FORTHCOMING: From Cambridge to Lake Chad: Life in archaeology 1956–1971 by Graham Connah. Paperback; 175x245mm; xxii+270 pages; illustrated throughout in black & white with 9 colour plates. (Print RRP £38.00). 505 2019 Archaeological Lives . ISBN 9781784919580. Book contents pageBuy Now

This book is about how the author became an archaeologist at a time when opportunities for employment were rare and how he worked as a field researcher in West Africa and wrote about his work there. It traces his archaeological training and employment at Cambridge and his practical experience on British excavations and explains how he became one of the pioneers of Nigerian archaeology during a decade in that country. It is not so much a study of the archaeology that was done, as an account of how it was done; its circumstances, organization, and economic and social and cultural context. As a result, it is both a professional and personal account, for these two aspects of life were inseparably intertwined, his wife Beryl becoming an integral part of the story. Other archaeologists and many non-archaeologists also feature in the account. The period in Nigeria from 1961 to 1971 included the Nigerian Civil War from 1967 to 1970, when archaeological work continued with difficulty. Both circumstances and preference meant that the author always worked with a labour team of Nigerians and with Nigerian assistants, of whom few had any experience in archaeology and none had any formal training; there were no postgraduates or others from outside the country. Success in excavations in Benin City, in the south of the country, and in Borno, in its far north-east, was as much the achievement of those Nigerians as it was the author’s.

About the Author
GRAHAM CONNAH was born in Cheshire, educated at the Wirral Grammar School, served on a destroyer in the Mediterranean, read history and archaeology at Cambridge University, and worked there as a Research Assistant. After experience on numerous excavations in Britain, including assistant director and director, in 1961 he went to Nigeria, where he spent ten years excavating and on fieldwork, the subject of this book. In 1971 he moved to the University of New England, in Australia, founding the Archaeology Department there and later becoming its Foundation Professor. He returned to Nigerian fieldwork in 1978 and 1981, and subsequently excavated in Egyptian Nubia and Uganda. He also contributed to Australian historical archaeology and founded the journal Australasian Historical Archaeology. He is a Fellow of the Royal Anthropological institute, a Fellow of the Society of Antiquaries, a Fellow of the Australian Academy of Humanities, MA (Cantab), D.Litt (UNE), and holds the Order of Australia, and the Australian Centenary Medal. He is currently a Visiting Fellow in Archaeology and Anthropology at the Australian National University, Canberra.
NEW: Archaeology and Ethnography Along the Loango Coast in the South West of the Republic of Congo by Gerry Wait and Ibrahima Thiaw with Tim Copeland and Elizabeth Gardner. Paperback; 205x290mm; iv+108 pages; 72 figures, 5 tables (100 colour plates). 471 2018. Available both in printed and e-versions. Printed ISBN 9781784919948. £30.00 (No VAT). Epublication ISBN 9781784919955. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

In 2011 and 2012, Dr Gerry Wait (then Nexus Heritage) and Dr Ibrahima Thiaw (Institute Fundamental d’Afrique Noire: IFAN, Dakar) undertook an Environmental and Social Impact Assessment (ESIA) project in Kouilou Department in the southwest region of the Republic of the Congo. The initiative had been commissioned by SRK Consulting UK for Elemental Minerals Ltd relating to a proposed potash mine. These landscapes were little known in terms of the sites and monuments from the distant and more recent past. That the area was important in the understanding of migrations along the African coast had been demonstrated in a pioneering set of excavations by Denbow (2012 and 2014). This base line study was undertaken to identify and evaluate cultural resources which might need further investigation. The second part of the study reports on ethnographic surveys undertaken in the same defined area, treating intangible cultural heritage as equally as important parts of the Congo’s cultural heritage and identity. The baseline studies were systematic in that they employed standard best-practice survey techniques but structured on a landscape level. By building upon Denbow’s extensive surveys and small-scale investigations from 30 years earlier the studies have enabled a richer and more nuanced understanding of the Atlantic Coast of Congo during the past millennium.

About the Authors
GERRY WAIT has over 35 years of experience as an archaeologist and anthropologist specialising in heritage assessments for Environmental and Social Impact Assessments (ESIAs). He has worked in over 30 countries, in Europe, Asia and Africa. Gerry has been active in the Chartered Institute for Archaeologists and in the Committee on Professional Associations in Archaeology of the European Association of Archaeologists (EAA). He is on the editorial board of the Society of American Archaeology’s Advances in Archaeological Practice Journal. He is on the Register of Professional Archaeologists (USA) and is a Fellow of the Society of Antiquaries of London.

IBRAHIMA THIAW is one of the leading practitioners in Africanist archaeology, heritage and in Environmental and Social Impact Assessments (ESIAs). He leads in the Laboratoire d’Archéologie at the Institut Fondamental d’Afrique Noire (IFAN) at the-Université Cheikh Anta Diop in Dakar Senegal. He has worked extensively in the upper Senegal River basin where he conducted multiple Environmental and Social Impact Assessments. He is equally well known for his work on the UNESCO World Heritage site of Goree Island (Dakar). Ibrahima is a very strong advocate of students’ training, community engagement and the decolonization of Archaeological practice in Africa. He has pioneered marine archaeology in Senegal. He is also an active member in Africanist Archaeologists organizations including the PanAfrican Archaeology Association but also on the editorial board of a number of Professional Journals.

Gerry and Ibrahima have worked together on many projects in Sub-Saharan archaeology and ethnography since 2009, notably at Sabodala Senegal (published by Archaeopress Publishing in 2016) in Sierra Leone, and in Burkino Faso.

ELIZABETH GARDNER has been an archaeological illustrator since 2005. Her work includes all aspects of archaeological dissemination and publication. She is a full Member of both the Chartered Institute for Archaeologists (CIfA) and the Institute of Archaeologists of Ireland (IAI). Alongside commercial archaeological work, Elizabeth has been involved in monograph projects such as Glastonbury Abbey (University of Reading, AHRC, Society of Antiquaries (London)), Bathwick, Bath (Context One Archaeological Services) and Godmanchester (Historic England and Oxford Archaeology) as well as populist publications such as Glendalough (Christiaan Corlett). She is active in CIfA as the graphics specialist assessment officer for membership validation.

TIM COPELAND is a
NEW: Une archéologie des provinces septentrionales du royaume Kongo edited by Bernard Clist, Pierre de Maret and Koen Bostoen. Paperback; 205x290mm; 500pp; illustrated throughout in colour and black & white (approx. 205 plates in colour). French text throughout. 465 2018. Available both in print and Open Access. Printed ISBN 9781784919726. £90.00 (No VAT). Epublication ISBN 9781784919733. Book contents pageDownload

Of all the great kingdoms that flourished in Africa, the Kongo is one of the most famous. It remains an important historical and cultural reference for Africans and their diaspora. The KongoKing inter-university project (2012-2016), funded by the European Research Council, aimed, through an interdisciplinary approach, to understand the origin of the kingdom and to shed light on the phenomena of political centralization, economic integration and linguistic evolution that took place there. This book presents in detail the results of archaeological research carried out by the KongoKing project in the former northern provinces of the Kongo Kingdom, currently located in the Democratic Republic of Congo.

French Description: De tous les grands royaumes qui fleurirent en Afrique, le royaume Kongo est l’un des plus célèbres. Il reste une référence historique et culturelle importante pour les Africains et leur diaspora. Entraînés très tôt dans le commerce de traite, les esclaves originaires de la région font que du Brésil à New York, en passant par les Caraïbes, la culture Kongo a laissé de nombreuses traces.

Le projet interuniversitaire KongoKing (2012-2016), financé par le Conseil Européen de la Recherche a été coordonné par Koen Bostoen, tandis que Bernard Clist et Pierre de Maret en ont dirigé le volet archéologique. Ce projet visait par une approche interdisciplinaire à comprendre l’origine du royaume et à éclairer les phénomènes de la centralisation politique, d’intégration économique et d’évolution linguistique qui s’y sont déroulés .

Cet ouvrage présente de façon détaillée les résultats des recherches archéologiques menées par le projet KongoKing dans les anciennes provinces septentrionales du royaume Kongo, situées actuellement en République Démocratique du Congo. Dans une première partie on présente le contexte général, l’évolution du milieu, l’histoire du groupe linguistique kikongo et ce que l'on sait des périodes qui précèdent le royaume, ainsi que des informations récoltées dans diverses sources historiques sur ces provinces. Les prospections et fouilles des différents sites étudiés sont ensuite présentées. Puis vient le bilan des recherches archéologiques avec une synthèse des datations, une esquisse de la séquence chrono-culturelle de la poterie kongo et les études systématiques des différents types de vestiges récoltés. Pour conclure, on présente la synthèse de l'ensemble de ces découvertes et la façon dont celles-ci viennent compléter les données issues des autres disciplines pour éclairer d'un jour nouveau l'histoire du royaume Kongo.

BERNARD CLIST est actuellement professeur invité de l’Université de Gand (UGent). Il est archéologue depuis 38 ans, spécialiste de l’Afrique centrale où il a dirigé des projets de recherches notamment en Angola, Cameroun, Gabon et Guinée-Equatoriale. Entre 1985 et 1995 il a été le responsable du Département d’Archéologie du CICIBA au Gabon qu’il a créé. Il a aussi réalisé de nombreuses Etudes d’Impact Environnemental pour des sociétés américaines, britanniques, françaises au Gabon et en Zambie. Pendant toutes ces années, il a publié ou co-publié plus de 130 articles et 8 ouvrages. Entre 2015 et 2016, il a contribué à la version finale du dossier de classement par l’UNESCO du centre historique de Mbanza Kongo au Patrimoine Mondial de l’Humanité, chose acquise en juillet 2017.

PIERRE DE MARET est professeur d’anthropologie et d’archéologie à l’Université libre de Bruxelles (ULB) dont il a été le recteur, et Honorary professor à l’University College de Londres. Il poursuit depuis plus de 45 ans des recherches sur le terrain en Afrique centrale et est l’auteur de nombreuses publications sur l’histoire précoloniale, l’anthropologie économique et appliquée, et la gestion culturelle. Membre de l’Académie Royale de Belgique, il est aussi président du conseil scientifique du Musée Royal de l’Afrique Centrale (MRAC)
Estudios sobre el África romana Culturas e Imaginarios en transformación edited by Fabiola Salcedo Garcés with Estefanía Benito Lázaro and Sergio España-Chamorro. Paperback; 205x290mm; xvi+352 pages; illustrated throughout black & white with 2 plates in colour. Spanish text with English preface and abstracts. 430 2018 Archaeopress Roman Archaeology 39. Available both in printed and e-versions. Printed ISBN 9781784919078. £44.00 (No VAT). Epublication ISBN 9781784919085. £16.00 (Exc. VAT) Institutional Price £44.00 (Exc. UK VAT) Book contents pageBuy Now

This collective work, carried out by both senior and beginning researchers, is for those scholars who have their gaze fixed on the fascinating mosaic of cultures that was the North-African world from the moment Rome appeared in the region. Even before this date, the arrival of Phoenicians on the continent and their subsequent spread throughout the north of it, initiated a rich process of contacts, interchanges and relations with the Libyan-Berber populations that inhabited the zone from time immemorial. To this scene of ancient cultural diversity –which also included an Egyptian component– Rome brought its own riches, generating in the region new episodes of cultural and religious syncretism.

All these subjects are treated in the present book through some specific scientific contributions whose geopolitical frame is the whole Proconsular Africa. Most of the articles in this volume are dedicated to the world of images, but others also treat many other issues as Historiography, Archaeology of Architecture, Libyan-Berber ethnicities and even cultural parallels between North Africa and the Iberian Peninsula.

About the Editors
FABIOLA SALCEDO GARCÉS is Professor of Classical Archaeology at the Complutense University of Madrid. In 1991 she moved to Rome to write her doctoral thesis about the Iconography of the Roman provinces, in particular, the province of Africa, at the Escuela Española de Historia y Arqueología de Roma (EEHAR, CSIC). The result of that research was the book Africa. Iconografía de una provin¬cia romana (Rome-Madrid, CSIC, 1996). During her long stay in Rome, she began to work in the Tusculum project, developed also by the EEHAR, as well as the Soprintendenza Archeologica per il Lazio. In this case, she was specifically devoted to the study of the collection of sculptural materials belonging to the city and to the villas of the Tusculan surroundings. Due to this research she published the volume Tusculana Marmora. Escultura clásica en el antiguo Tusculano (CSIC, Madrid, 2016). She has worked in Pompeii («Casa de la Diana Arcaizante» project) and she currently directs several investigations focusing on Roman Africa studies. Her works have been diffused in prestigious publications, internationally (Ostraka, Antiquités Africaines, LIMC), and nationally (Archivo Español de Arque¬ología, Lucentum, Studia Historica, Iberia, among others).

ESTEFANÍA BENITO LÁZARO is researcher of the Arqueología Africana Group and of others investigation projects developed at the Complutense University of Madrid. She is specialist in the Libyan-Berber world, subject to which she dedicates her current doctoral thesis. She has carried out several stays of research in Tunisia and in relevant scientific European institutions, as the Université Libre de Bruxelles (ULB) and the Escuela Española de Historia y Arqueología en Roma (EEHAR, CSIC).

SERGIO ESPAÑA CHAMORRO is Doctor in Ancient World Studies by the Complutense University of Madrid. He currently works as postdoctoral researcher at the Escuela Española de Historia y Arqueología en Roma (EEHAR, CSIC) and Associated Professor of the Isabel I University. His investigations are focused on Landscape Archaeology in the Baetica, Africa and Italy, besides his participation in research projects on domestic spaces in Pompeii and the Roman sculpture of Carthage. He has also worked in prestigious scientific institutions, as the University of Southampton, the centre CIL of the Berlin-Brandenburgischen Akademie der Wissenschaften, the “Aldo Moro” University of Bari and the Musei dei Fori Imperiali-Mercati di Traiano (Rome).

Spanish Description
Esta obra colectiva, llevada a cabo por investigadores seniors y jóvenes, va dirigida a aquellos estudiosos con la mirada puesta en el fascinante mosaico de culturas que fue el mundo norteafricano cuando Roma hizo su aparición en la región. Ya antes de esa fecha, la llegada de fenicios
Identified skeletal collections: the testing ground of anthropology? by Charlotte Yvette Henderson and Francisca Alves Cardoso. 428 2018. Available both in printed and e-versions. Printed ISBN 9781784918057. £30.00 (No VAT). Epublication ISBN 9781784918064. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

Human skeletons are widely studied in archaeological, anthropological and forensic settings to learn about the deceased. Methods used to identify individuals in forensic contexts and to determine age and sex in archaeological settings are normally tested on identified skeletal collections: collections of skeletons with known age-at-death, sex, often occupation and cause of death. These collections often represent individuals dying within the last century, but this is variable and often depends on the purpose for creating the collection. Many were developed in attempts to understand local population biology whereas those collected recently are for forensic purposes: to improve identification in legal contexts. Some of these collections were developed from body donation programmes, while others have come from cemeteries: cemeteries which were either no longer viable or needed clearing. All these factors impact on who curates these collections: archaeology or anthropology departments and museums. However, unlike many other skeletons curated in these locations, these are individuals with names. All this raises ethical questions about their creation, curation and their use for research.

This book focusses on identified skeletal collections in the UK, Portugal, South Africa, USA and Canada. The chapters discuss how and why collections were amassed including the local legislation governing them. Alongside this run the ethical issues associated with their collection, curation and access to them. The demographics of the collections: who is included and why, along with such biases and how they can impact on research are also discussed, as are limitations in the documentary data associated with these individuals. The importance of these collections is also focussed on: particularly their role in developing and testing methods for age determination in adults. This shows why these collections are so vital to improve methods and interpretations for archaeological and forensic research. The importance of communicating this to the wider public is also addressed.

About the Editors CHARLOTTE HENDERSON is a researcher in CIAS – Research Centre for Anthropology and Health based in the Department of Life Sciences, Coimbra (Portugal). She completed her PhD at the University of Durham in the Department of Archaeology. Her research focusses on methods for identifying activity in past populations. She has a long-standing interest in ethics which she studied as part of her undergraduate degree in Philosophy.

FRANCISCA ALVES CARDOSO is a research fellow at CRIA – Centre for Research in Anthropology (Portugal). In 2008 she was awarded a PhD in Biological Anthropology/Paleopathology by the University of Durham (UK). Her research focuses on the significance of socio-economic and cultural variables in the interpretation of human skeletons. In 2014 she was awarded a grant to develop the project - Portuguese Human Identified Skeletal Collections (HISC): Shaping their ethical and legal framework, which aims to build a bridge between science and society on the importance of HISC, whilst considering their scientific value, social and cultural, as well as ethical implications.
Ceramic manufacturing techniques and cultural traditions in Nubia from the 8th to the 3rd millennium BC Examples from Sai Island by Giulia D’Ercole. xviii+186 pages; illustrated throughout in colour and black & white (33 colour plates). 41 2017 Cambridge Monographs in African Archaeology 96. Available both in print and Open Access. Printed ISBN 9781784916718. £40.00 (No VAT). Epublication ISBN 9781784916725. Book contents pageDownload

In Sudan the first ceramic containers appeared at the beginning of the 9th millennium BC, with the earliest dates c. 8700 BC from Sorourab 2, in Central Sudan, and c. 8600 BC from the district of Amara West, in Northern Sudan.

This book presents a comprehensive critical analysis of diverse ceramic assemblages from Sai Island, in the Middle Nile Valley of Northern Sudan, on the border between ancient Upper and Lower Nubia. The assemblages included in this study cover about five millennia, spanning the period c. 8000 to c. 2500 BC. They go from the initial appearance of ceramic technology within hunting-fishing-gathering communities living in permanent or semi-permanent settlements (locally named ‘Khartoum Variant’ or ‘Mesolithic’ horizon: c. 7600–4800 BC), through the ceramic productions of the first ‘Neolithic’ pastoral societies (Abkan horizon: c. 5550−3700 BC), to those of the Pre-Kerma Nubian culture (c. 3600−2500 BC).

A thorough stylistic macroscopic observation of the finds is integrated with a solid technological approach by means of archaeometric petrographic (OM), mineralogical (XRPD) and chemical (XRF) analyses. Data are discussed and compared across a broad geographical area, including Lower and Upper Nubia, Central Sudan and the Egyptian Western Desert. They provide an original synthesis and interpretation of the ceramic traditions in Nubia and Sudan and propose a critical review of the debate on the invention of pottery and the functional and cultural reasons for the emergence of the ceramic technology.
The Cutting Edge: Khoe-San rock-markings at the Gestoptefontein-Driekuil engraving complex, North West Province, South Africa by Jeremy Charles Hollmann. xx+394 pages; illustrated throughout in colour and black & white. 40 2017 Cambridge Monographs in African Archaeology 97. Available both in print and Open Access. Printed ISBN 9781784917036. £60.00 (No VAT). Epublication ISBN 9781784917043. Book contents pageDownload

This book addresses the rock engravings on the wonderstone hills just outside Ottosdal, North West province, South Africa. Wonderstone is remarkable rock that is smooth, shiny and very easy to mark. The wonderstone occurs only on two adjacent farms, Gestoptefontein and Driekuil, and thus the rock art on the wonderstone outcrops is referred to as the Gestoptefontein- Driekuil complex (GDC). This rock art is now the only remaining trace of what must once have been a much larger complex of engravings. Sadly, much of the rock art has been destroyed in the course of mining activities, with very few records. The largest remaining outcrop is still threatened by potential mining activities. The study attempts to bring this disastrous and unacceptable situation to the attention of the public and the heritage authorities, who have so far failed to respond to applications to grant the sites protection. It therefore has two main aims: to locate and record as much of the rock art as possible and to understand the significance of the outcrops in the lives of the people who made them.

Based on the rock art itself, as well as what little historical evidence is available, it is argued that the rock art was made by Khoe-San people during the performance of important ceremonies and other activities. The rock art has two main components: engravings of referential motifs and a gestural, or performative, element. The referential motifs depict a range of things: anthropomorphs and zoomorphs, decorative designs, items of clothing, as well as ornaments and decorations. The gestural markings were made by rubbing, cutting and hammering the soft wonderstone, probably in the course of a range of activities that people carried out on the outcrops.
L’artisanat dans les cites antiques de l’Algérie (Ier siècle avant notre ère –VIIe siècle après notre ère) by Touatia Amraoui. xx+426 pages; illustrated throughout in black & white with one plate in colour. French text with English summary. 357 2017 Archaeopress Roman Archaeology 26. Available both in printed and e-versions. Printed ISBN 9781784916671. £50.00 (No VAT). Epublication ISBN 9781784916688. £15.83 (Exc. VAT) Institutional Price £50.00 (Exc. UK VAT) Book contents pageBuy Now

Normally dealt with in a rather limited way, through the examination of a particular activity or geographical zone, the artisans of ancient North Africa are here, for the first time, the subject of an entire book. Focusing on urban production in Algeria during Antiquity, this critical study brings together new documentation drawn up on the basis of field data and the consultation of archives from a long history of survey in Algeria and France. This synthesis reviews the archaeological sites with workshops by defining their activities, at the same time as analyzing how they operated and looking at them typologically. Based on a comparison with documented workshops in the Western Roman world, the study of the techniques highlights the very strong similarities between the Roman regions but also the specific local variations of the methods used in Africa at this time. Maghreb ethnography shows the permanence of certain practices over time while attempting to reconstruct the "chaîne opératoire". Although it is still difficult to obtain an overall picture both from a spatial and a chronological point of view of the artisanal topography, the data reveals the existence of varied artisanal and commercial activities in urban areas throughout Antiquity.

French description: Abordé généralement de façon ponctuelle à travers une activité particulière ou une zone géographique donnée, l’artisanat en Afrique du nord antique fait ici pour la première fois l’objet d’un ouvrage. Centrée sur la production urbaine en Algérie durant l’Antiquité, cette étude critique rassemble une nouvelle documentation élaborée à partir des données de terrain et de la consultation des archives à partir d’un long travail d’enquête en Algérie et en France. La synthèse fait le point sur les sites archéologiques présentant des ateliers en définissant leur activité tout en analysant leur fonctionnement et leur typologie. En s’appuyant sur une comparaison avec les découvertes d’ateliers dans le monde romain occidental, l’étude des techniques met en évidence les similitudes très fortes entre les régions romaines mais aussi les spécificités locales des méthodes employées en Afrique durant cette période. L’ethnographie maghrébine montre quant à elle la permanence de certaines pratiques à travers le temps tout en complétant l’essai de restitution de la « chaîne opératoire ». S’il est encore difficile d’avoir une vision d’ensemble tant d’un point de vue spatial que chronologique de la topographie artisanale, les données recensées révèlent l’existence d’activités artisanales et commerciales variées incluses dans l’ensemble du domaine urbain tout au long de l’Antiquité.

Biographie: Actuellement membre de l’École des Hautes Études Hispaniques et Ibériques de la Casa de Velázquez à Madrid et à partir d’octobre 2017, chercheur au Centre Camille Jullian (CNRS, Aix-en-Provence), Touatia Amraoui est docteur en Histoire et Archéologie de l’Université Lumière Lyon 2. Elle est l’auteur d’articles sur l’artisanat et l’économie dans le Maghreb antique. Elle a collaboré à plusieurs projets de recherche internationaux en Algérie, au Maroc, en France, en Espagne et en Angleterre.
Le massif de Lovo, sur les traces du royaume de Kongo Volume 1 by Geoffroy Heimlich. xiv+196; illustrated throughout in colour and black & white with 76 plates in colour. French text. 500+ page annex volume available online as a free-to-download PDF. 35 2017 Cambridge Monographs in African Archaeology 95. Available both in print and Open Access. Printed ISBN 9781784916343. £42.00 (No VAT). Epublication ISBN 9781784916350. Book contents pageDownload

Unlike the Sahara or Southern Africa, the rock art of Central Africa is still largely unknown today. Despite being reported as early as the 16th century by Diego del Santissimo Sacramento, the rock art of the Kongo Central, an area encompassing parts of modern day Angola, Cabinda, the Republic of the Congo, Democratic Republic of the Congo, and Gabon, has never been widely researched and its age remains uncertain.

Populated by the Ndibu, one of the Kongo subgroups, the Lovo massif is in the north of the ancient kingdom of Kongo. Even though this kingdom has, since 1500 AD, been one of the best documented in Africa, from historical sources as well as ethnographic and anthropological sources for the more recent periods, it remains largely unrecognized archaeologically. With 102 sites inventoried (including 16 ornate caves), it contains the largest concentration of rock art sites in the region, representing more than 5000 rock art images.

Crossing ethnological, historical, archaeological and mythological points of view, this book illustrates that rock art played an important part in Kongo culture. Like historical sources or oral traditions, it can provide historians with important documentation and contribute significantly to the reconstruction of Africa's past.

French description: À la différence des arts rupestres du Sahara ou d’Afrique australe, ceux d’Afrique centrale restent encore aujourd’hui largement méconnus. Bien que signalé dès le XVIe par Diego del Santissimo Sacramento, l’art rupestre du Kongo Central n’a jamais fait l’objet d’une recherche de grande ampleur et son âge reste toujours incertain. Peuplé par les Ndibu, un des sous-groupes kongo, le massif de Lovo se trouve dans le nord de l’ancien royaume de Kongo. Même si ce royaume est, à partir de 1500, l’un des mieux documentés de toute l’Afrique tant par les sources historiques que par les sources ethnographiques et anthropologiques pour les périodes plus récentes, il reste largement méconnu sur le plan archéologique. Avec 102 sites inventoriés (dont 16 grottes ornées), il contient la plus importante concentration de sites rupestres de toute la région, ce qui représente plus de 5000 images rupestres. En croisant les points de vue ethnologique, historique, archéologique et mythologique, j’ai pu montrer que l’art rupestre a bel et bien une part importante dans la culture kongo. Au même titre que les sources historiques ou les traditions orales, il peut apporter aux historiens une documentation de premier plan et contribuer à reconstruire le passé de l’Afrique.

Biographie: Expert au comité de l’ICOMOS pour l’art rupestre (CAR) et pour la gestion du patrimoine archéologique (ICAHM), Geoffroy Heimlich est docteur en archéologie auprès de l’Université Libre de Bruxelles et en histoire auprès de l’Université Paris 1 Panthéon-Sorbonne. Sous la codirection de Pierre de Maret et Jean-Loïc Le Quellec, sa recherche doctorale a porté sur l’art rupestre du Kongo Central, en République démocratique du Congo. Il est actuellement chercheur associé, en France, à l’Institut des mondes africains (IMAF) et, en Belgique, au Centre de recherches en archéologie et patrimoine (CReA-Patrimoine) de l’Université Libre de Bruxelles et au Musée royal de l’Afrique centrale de Tervuren, ainsi qu’en Afrique du Sud, Honorary research fellow au Rock Art Research Institute de l’Université de Witwatersrand, à Johannesburg. Depuis 2016, il est également directeur de la mission archéologique « Lovo » du Ministère français des Affaires étrangères, en République démocratique du Congo et en Angola.
Atlas of Mammal Distribution through Africa from the LGM (~18 ka) to Modern Times The zooarchaeological record by Hélène Jousse. 316 pages; illustrated throughout in colour and black & white. 309 2017. Available both in printed and e-versions. Printed ISBN 9781784915407. £55.00 (No VAT). Epublication ISBN 9781784915414. £16.00 (Exc. VAT) Institutional Price £55.00 (Exc. UK VAT) Book contents pageBuy Now

This work provides the first overview of mammal species distributions in Africa since the Last Glacial Maximum (LGM, 18 ky) to modern time. It is derived from data published mainly in the zooarchaeological literature until 2009. During a post-doctoral project hosted in the zoological department of mammal collection at the Naturhistoriches Museum in Vienna (Austria), the occurrences of taxa in archaeological sites on the African continent were recorded in a database, integrating geographical and chronological information. This record offers the opportunity to produce a chronological atlas of mammalian distributions by presenting their occurrences on successive maps over the last 18 ky.

This work is useful for zooarchaeologists dealing with one particular species by providing a bibliographical work that documents its past locations. It must be noted that fauna are mainly documented through their presence at archaeological sites and are therefore tied to the presence of humans and their activities. This may only partially reproduce their true past distribution. However, the sites offer a good coverage throughout space and time and generally reflect the extent of mammalian distributions, although the limits of their distributions may be further refined. The atlas will aid in the investigation of palaeoecological issues, such as the capacity of mammals to adapt to climatic change and respond to human disturbance in the recent past of Africa.

The database also provides information that is fundamental to a better understanding of what influenced the present-day distribution, dynamism and structure of mammalian communities in Africa. By incorporating a larger temporal scale to modern ecological studies, it may help control their conservation since desiccation and human disturbance in Africa is still a worrying question for their future.
Eastern Sudan in its Setting The archaeology of a region far from the Nile Valley by Andrea Manzo. viii+82 pages; illustrated throughout with 38 colour plates. 24 2017 Cambridge Monographs in African Archaeology 94. Available both in print and Open Access. Printed ISBN 9781784915582. £30.00 (No VAT). Epublication ISBN 9781784915599. Book contents pageDownload

Eastern Sudan, like other regions far away from the Nile valley, has often been overlooked historically on account of a kind of prejudice towards areas lacking in monumental or urban remains or evidence of any literary production. Despite the relevance of the deserts and marginal areas becoming increasingly evident in the last year or so, in Sudan only a few research projects have been conducted in these regions. The ongoing research project in Eastern Sudan by the University ‘L’Orientale’ has provided a preliminary reconstruction of the history of the region from c. 6000 BC to AD 1500. This publication outlines this reconstruction and also considers the more general setting known for the other regions of northeastern Africa. Several issues remain to be clarified and understanding of some phases is still limited, nevertheless it can be safely stated that Eastern Sudan, was in ancient times, as it is now, a crossroads between the Nile basin, Eastern Desert, the Ethio-Eritrean highlands and the Red Sea, represented a crucial region in several respects: the spread of domestic crops and animals towards the Ethio-Eritrean highlands, the spread of the Sahelian crops towards India via the Red Sea and Arabia, as well as the long-distance trade network characterizing northeastern Africa in the 3rd and 2nd millennia BC.

Access Archaeology: This imprint is designed to make archaeological research accessible to all and to present a low-cost (or no-cost) publishing solution for academics from all over the world. Material ranges from theses, conference proceedings, catalogues of archaeological material, excavation reports and beyond. We provide type-setting guidance and templates for authors to prepare material themselves designed to be made available for free online via our Open Access platform and to supply in-print to libraries and academics worldwide at a reasonable price point. Click here to learn more about publishing in Access Archaeology.

The White Lady and Atlantis: Ophir and Great Zimbabwe Investigation of an archaeological myth by Jean-Loïc Le Quellec. x+320 pages; highly illustrated in colour throughout. 291 2016. ISBN 9781784914707. £55.00 (No VAT). Book contents pageBuy Now

This meticulous investigation, based around a famous rock image, the ‘White Lady’, makes it possible to take stock of the mythical presuppositions that infuse a great deal of scientific research, especially in the case of rock art studies. It also highlights the existence of some surprising bridges between scholarly works and literary or artistic productions (novels, films, comic strips, adventure tales).

The examination of the abbé Breuil’s archives and correspondence shows that the primary motivation of the work he carried out in southern Africa like that of his pupil Henri Lhote in the Tassili was the search for ancient, vanished ‘white’ colonies which were established, in prehistory, in the heart of the dark continent. Both Breuil and Lhote found paintings on African rocks that, in their view, depicted ‘white women’ who were immediately interpreted as goddesses or queens of the ancient kingdoms of which they believed they had found the vestiges. In doing this, they were reviving and nourishing two myths at the same time: that of a Saharan Atlantis for Henri Lhote and, for the abbé, that of the identification of the great ruins of Zimbabwe with the mythical city of Ophir from which, according to the Bible, King Solomon derived his fabulous wealth.

With hindsight we can now see very clearly that their theories were merely a clumsy reflection of the ideas of their time, particularly in the colonial context of the Sahara and in the apartheid of South Africa. Without their knowledge, these two scholars’ scientific production was used to justify the white presence in Africa, and it was widely manipulated to that end. And yet recent studies have demonstrated that the ‘White Lady’ who so fascinated the abbé Breuil was in reality neither white nor even a woman. One question remains: if such an interpenetration of science and myth in the service of politics was possible in the mid-20th century, could it happen today?
Archival Theory, Chronology and Interpretation of Rock Art in the Western Cape, South Africa by Siyakha Mguni. vi+156 pages; illustrated throughout in colour and black & white. 20 2016 Cambridge Monographs in African Archaeology 93. Available both in print and Open Access. Printed ISBN 9781784914462. £40.00 (No VAT). Epublication ISBN 9781784914479. Book contents pageDownload

Since absolute dating of rock art is limited, relative chronologies remain useful in contextualising interpretations of ancient images. This book advocates the archival capacity of rock art and uses archival perspectives to analyse the chronology of paintings in order to formulate a framework for their historicised interpretations. The Western Cape painting sequence is customarily accepted to include the hunter-gatherer phase from c. 10,000 BP, pastoralism from c. 2,000 BP and finally the historical-cum-colonial period several centuries ago. Painting traditions with distinct depiction manners and content are conventionally linked to these broad periods. This study evaluates this schema in order to refine the diverse hunter-gatherer, herder and colonial era painting contexts and histories. Using superimpositions as one analytical tool, the notion of datum aided the referencing and correlation of layered imagery into a relative sequence. Although broad differences separate painting traditions, and these variations are generally indistinguishable within a single tradition, it is clear that the long-spanning hunter-gatherer segment of painting in this region reflects a hitherto unrecognised sub-tradition. Some painted themes such as elephants, fat-tailed sheep, handprints and possibly finger dots occur within various levels of the sequence, which this study views as shared graphic fragments occurring between and across traditions and sub-traditions. Through the archival concept of respect des fonds such observable complexities were clarified as coherent graphic narratives that run through the entire chronological sequence of the Western Cape rock paintings. Probing archaeological, ethnographic and historical sources revealed that while these themes remained fundamentally consistent throughout the stratigraphic sequence as preferred subject matter, their meanings might have transformed subliminally from earlier to later periods, possibly reflecting layered shifts in the socio-economic, cultural and political circumstances of the region. Fundamentally, the framework of image histories shown by the choice and sustenance of specific themes is understood to mean that their significance and specific graphic contexts throughout the chronological sequence are pivoted and mirrored through the long established hunter-gatherer rock paintings which predate periods of contact with other cultures. The resulting sequence and interpretation of these painted themes is a descriptive and organisational template reflecting the original organic character in the creation of the paintings and ordered cultural continuities in the use of animal/human symbolism. This book’s agenda in part involves reviewing the Western Cape’s changing social and historical landscape to show variation in painting over time and to project possible interpretative transformations. Painting sequences and cultural (dis)continuities are thus intricately entwined and can be disentangled through a recursive analytical relationship between archaeology, ethnography and history. This amalgamated analytical approach produces historicised narratives and contextual meanings for the rock paintings.

Access Archaeology: This imprint is designed to make archaeological research accessible to all and to present a low-cost (or no-cost) publishing solution for academics from all over the world. Material ranges from theses, conference proceedings, catalogues of archaeological material, excavation reports and beyond. We provide type-setting guidance and templates for authors to prepare material themselves designed to be made available for free online via our Open Access platform and to supply in-print to libraries and academics worldwide at a reasonable price point.

Reinterpreting chronology and society at the mortuary complex of Jebel Moya (Sudan) by Michael Jonathan Brass. xii+192 pages; illustrated throughout in colour and black & white. 18 2016 Cambridge Monographs in African Archaeology 92. Available both in print and Open Access. Printed ISBN 9781784914318. £40.00 (No VAT). Epublication ISBN 9781784914325. Book contents pageDownload

Jebel Moya (south-central Sudan) is the largest known pastoral cemetery in sub- Saharan Africa with more than 3100 excavated human burials. This research revises our understanding of Jebel Moya and its context. After reviewing previous applications of social complexity theory to mortuary data, new questions are posed for the applicability of such theory to pastoral cemeteries. Reliable radiometric dating of Jebel Moya for the first time by luminescence dates is tied in to an attribute-based approach to discern three distinctive pottery assemblages. Three distinct phases of occupation are recognised: the first two (early fifth millennium BC, and the mid-second to early first millennium BC) from pottery sherds, and the third (first century BC - sixth century AD) with habitation and the vast majority of the mortuary remains. Analytically, new statistical and spatial analyses such as cross-pair correlation function and multi-dimensional scaling provide information on zones of interaction across the mortuary assemblages. Finally, an analysis of mortuary locales contemporary with phase three (Meroitic and post-Meroitic periods) from the central Sudan and Upper and Lower Nubia are examined to show how changing social, economic and power relations were conceptualised, and to highlight Jebel Moya’s potential to serve as a chronological and cultural reference point for future studies in south-central and southern Sudan.

Access Archaeology: Our newest imprint is designed to make archaeological research accessible to all and to present a low-cost (or no-cost) publishing solution for academics from all over the world. Material will range from theses, conference proceedings, catalogues of archaeological material, excavation reports and beyond. We will provide type-setting guidance and templates for authors to prepare material themselves designed to be made available for free online via our Open Access platform and to supply in-print to libraries and academics worldwide at a reasonable price point. Click here to learn more about publishing in Access Archaeology.

Le qṣar, type d’implantation humaine au Sahara: architecture du Sud Algérien by Mounia Chekhab-Abudaya. xiv+340 pages; illustrated throughout in black & white with 12 colour plates. French text with English abstract. 245 2016 Cambridge Monographs in African Archaeology 91. Available both in printed and e-versions. Printed ISBN 9781784913472. £50.00 (No VAT). Epublication ISBN 9781784913489. £15.83 (Exc. VAT) Institutional Price £50.00 (Exc. UK VAT) Book contents pageBuy Now

The qṣar corresponds to a type of human settlement widely distributed in the Sahara desert, including many examples located today in southern Morocco, southern Algeria, southern Tunisia, Libya, Mauritania and Mali. This architectural model is characterised by its use over a wide-ranging time span – probably since the early first millennium BC according to ancient structures recorded by the archaeologist Mattingly in the Libyan Fazzān.

This volume, through the systematic analysis and comparison of some qṣūr of southeastern Algeria (Rīġ, Mzāb, Miya and al-Manī‘a), reveals common architectural features that can be used to identify a common type of qṣar in this region. The analysis of the construction material shows the primary use of limestone with a local mortar (timchent) and date palm trunks (phoenix dactylifera) for the structural elements (ceilings, doors, arcs, domes). Adobe bricks (ṭūb) are used in the housing and the defence systems punctuated by towers and pierced doors.

Despite a discontinuity within the historical narrative, the establishment of populations in this area of the Sahara appears to be much earlier than the medieval period and the qṣar is certainly not a creation ex nihilo of the modern era. Because of their numerous modifications and extensions over several centuries, the qṣūr problematise the dating of such settlements. However, the comparison of its main components encourages the development of a typology to identify some common characteristics that would help position the qṣar among the urban planning of the dār al-islām.
Rock Art Studies: News of the World V edited by Paul Bahn, Natalie Franklin, Matthias Strecker and Ekaterina Devlet. viii+364 pages; highly illustrated throughout with 102 colour plates. 242 2016. Available both in printed and e-versions. Printed ISBN 9781784913533. £70.00 (No VAT). Epublication ISBN 9781784913540. £15.83 (Exc. VAT) Institutional Price £70.00 (Exc. UK VAT) Book contents pageBuy Now

This is the fifth volume in the series Rock Art Studies: News of the World. Like the previous editions, it covers rock art research and management across the globe over a five-year period, in this case the years 2010 to 2014 inclusive. The current volume once again shows the wide variety of approaches that have been taken in different parts of the world, although one constant has been the impact of new techniques of recording rock art. This is especially evident in the realm of computer enhancement of the frequently faded and weathered rock imagery that is the subject of our study. As has been the case in past volumes, this collection of papers includes all of the latest discoveries, including in areas hitherto not known to contain rock art. The latest dating research reported in this fifth volume, sometimes returning surprisingly early results, serves to extend our knowledge of the age of rock art as well as highlight the limits of current models for its development around the world.
A Slave Who Would Be King: Oral Tradition and Archaeology of the Recent Past in the Upper Senegal River Basin by Jeffrey H. Altschul, Ibrahima Thiaw and Gerald Wait. x+314 pages; highly illustrated throughout with 142 colour plates. 241 2016. Available both in printed and e-versions. Printed ISBN 9781784913519. £60.00 (No VAT). Epublication ISBN 9781784913526. £15.83 (Exc. VAT) Institutional Price £60.00 (Exc. UK VAT) Book contents pageBuy Now

From March 2009 Statistical Research Inc. (USA), Nexus Heritage (UK) and the Institut Fondamental d’Afrique Noire (Dakar, Senegal) jointly undertook an integrated programme of cultural heritage research and investigation in the Sabodala area of Senegal. This was part of an environmental and social impact assessment in compliance with Senegalese law and international best practice. The principal investigators were Jeff Altschul (SRI) Gerry Wait (Nexus) and Ibrahima Thiaw (IFAN). This report is the outcome of those investigations and makes a significant contribution to the archaeology and ethnography of eastern Senegal.

Combining ethnographic and archaeological data yields a picture of a period of intense social change that occurred at the end of the nineteenth century and extended well into the mid-twentieth century. This involved the overturning of previous norms by social groups of mixed ethnicity, who proceeded to create new social work-arounds for previous ethnic prohibitions. It also probably involved the final end to slavery, but possibly only within living memory. It seems likely that some sites—archaeological as well as traditional sacred properties—provide tangible links between the current villages and a highly contested and emotionally charged past. To paraphrase the American novelist, William Faulkner, the past in Sabodala is never dead; in fact, it’s not even past.

Reviews:

‘It is immensely encouraging to see international mining companies doing business in West Africa taking cultural resource management regulatory frameworks seriously, and the contracted archaeological firm making data available in high quality publications like this book. I can only hope that other internationally funded mining endeavours in West Africa take cultural resource management as seriously as is exemplified here. This work has set a high bar and can be considered a model for future CRM publications that would provide crucial illumination on under-researched regions of West Africa. The authors are to be congratulated for the production and publication of this work.’ – Sean H. Reid, Syracuse University (Historical Archaeology, 2017)
Holocene Prehistory in the Télidjène Basin, Eastern Algeria Capsian occupations at Kef Zoura D and Aïn Misteheyia edited by David Lubell. vi+226 pages; illustrated throughout in black & white with 4 colour plates. Papers in English and French. 239 2016. Available both in printed and e-versions. Printed ISBN 9781784913731. £38.00 (No VAT). Epublication ISBN 9781784913748. £15.83 (Exc. VAT) Institutional Price £38.00 (Exc. UK VAT) Book contents pageBuy Now

From 1972 to 1979, field work was conducted in the Télidjène Basin, Eastern Algeria, as part of a project called The Prehistoric Cultural Ecology of Capsian Escargotières. The primary objective was the controlled excavation of two stratified Capsian sites, the open-air escargotière Aïn Misteheyia (1973 and 1976) and the rock shelter Kef Zoura D (1976 and 1978), both of which have remained incompletely published until now. Aïn Misteheyia and Kef Zoura D have proven to be key sites in a discussion that has been ongoing since at least the 1930s when Vaufrey published his interpretation of Capsian stratigraphy, trying to understand if there was a temporal succession between the Capsien typique and the Capsien supérieur. These are the only Capsian escargotières excavated with modern methods and extensive radiocarbon dating that have a clear stratigraphic sequence in which both variants of the Capsian are represented. We show that Capsien typique precedes Capsien supérieur, that the latter saw the introduction of a new technique for the production of blanks (pressure flaking), that the change is more-or-less contemporary with the 8200 cal BP cold event, and that it was accompanied by a subtle change in a subsistence regime of continued foraging despite the introduction of some herding of apparently introduced domestic stock in neighbouring regions that suggests the changes observed at these two sites may have eventually led in some areas to the introduction of Neolithic subsistence patterns, although there is as yet no clear evidence for this in the central Capsian area of eastern Algeria and southern Tunisia. Aïn Misteheyia was described in two previous reports in Libyca, but the artifact illustrations were never published and appear here as an addendum. Four chapters describe the chronology, stratigraphy, lithic, faunal and charcoal assemblages from Kef Zoura D. In addition, there are chapters analyzing the well preserved assemblages of worked bone from the Capsien supérieur deposits at both sites as well as the small assemblages of marine shell. One chapter is a reprinted paper that originally appeared in Sahara on an engraved stone plaque from Kef Zoura D, and a final chapter is the first report on an ongoing study of use-wear in the lithic assemblage from Kef Zoura D.

About the Editor:
David Lubell (Professor Emeritus, University of Alberta and Adjunct Professor, University of Waterloo) received his PhD in 1971 from Columbia University. He has directed archaeological field work in Algeria, Portugal and Italy, always with an emphasis on the inter-relationship of human groups with their environments as reflected in their subsistence patterns and the analysis of the artifacts they made and used. In collaboration with Mary Jackes, he has expanded his horizons to take into account the bioarchaeology and palaeodemography of the human populations involved. He has also made a decades-long study of the occurrence of edible land snails in Holocene archaeological sites throughout the Mediterranean region and is convinced (but unable yet to prove) that their presence in abundance represents a part of the transition from foraging to food production.

Reviews:

'This volume is a detailed and convincing interdisciplinary presentation of important archaeological material, illustrated with numerous very informative, high-quality figures.' -Jörg Linstädter (Azania: Archaeological Research in Africa, 2017)

'The major achievement of this book is the systematic description of well stratified Capsian sites, offering a high-resolution representation of the transformation of this horizon from the beginning, during the Early Holocene, until its evolved phase... The book is undoubtedly an important entry point for the research in Kef Zoura and at the same time a significant contribution to the knowledge of the Holocene of Algeria.' -Giuseppina Mut
Mégalithismes vivants et passés: approches croisées Living and Past Megalithisms: interwoven approaches edited by Christian Jeunesse, Pierre Le Roux and Bruno Boulestin. x+294 pages; illustrated throughout with 63 colour plates. Papers in French and English. 231 2016. Available both in printed and e-versions. Printed ISBN 9781784913458. £50.00 (No VAT). Epublication ISBN 9781784913465. £15.83 (Exc. VAT) Institutional Price £55.00 (Exc. UK VAT) Book contents pageBuy Now

Megalithic monuments from Neolithic Europe have long been considered as rough copies of the monumental architectures built by the first civilizations of the Near East and Eastern Mediterranean. When radiocarbon dating jeopardized this diffusionist pattern, though, specialists could not but wonder why and how these Neolithic societies, usually considered as small ‘village communities’, had erected such monuments. In order to answer these questions and seek explanations in the social, political or religious contexts of recent or present megalith-building societies, the ethnological frame of references has been referred to on a regular basis.

This volume comprises the papers presented by prehistorians and ethnologists at the two multi-disciplinary round tables held in Strasburg in May 2014 and May 2015. Their purpose was, with the help of both case studies and more synthetic works, to discuss how the patterns drawn from the observation of ‘living’ megalithic societies have been used to try and shed light on the functioning of European Neolithic societies, the epistemological problems raised by this transposition and the relevance of ethnology-based archeological explanations. The book is composed of three sections: the first one deals with some methodological reflections, the second and third ones with the ‘living’ or recent megalithisms of respectively the Indonesian Archipelago and Ethiopia.

About the Editors:
Christian Jeunesse is professor of prehistoric archaeology at the Université de Strasbourg and member of the unit “Archimède” (UMR 7044, CNRS) and of the Institut Universitaire de France. He is the author of numerous works about the European Neolithic. His main topics are the history of the danubian Neolithic, the funeral rites and the social organization of neolithic and chalcolithic societies

Bruno Boulestin is an anthropologist at the University of Bordeaux, France, member of the “Anthropologie des populations passées et présentes” (A3P) team of the unit “De la Préhistoire à l’Actuel, Culture, Environnement, Anthropologie” (PACEA, UMR 5199 of the CNRS). He is working on the diachronic study of practices around death in ancient societies from both archaeological, bioarchaeological and socio-anthropological data and is specialized in the study of bone modifications and corpse treatments.
In Pursuit of Ancient Cyrenaica... Two hundred years of exploration set against the history of archaeology in Europe (1706–1911) by Monika Rekowska, translated by Anna Kijak. x+274 pages; illustrated throughout in colour and black & white. 223 2016. Available both in printed and e-versions. Printed ISBN 9781784913205. £45.00 (No VAT). Epublication ISBN 9781784913212. £15.83 (Exc. VAT) Institutional Price £45.00 (Exc. UK VAT) Book contents pageBuy Now

This work examines travellers’ accounts of their journeys to Cyrenaica, focusing in the main on an analysis of these accounts within the context of their significance to topographic surveys of the region. The dates given in the title symbolically mark their beginning and end. The starting date (1706) is that of the first journey across Cyrenaica that led to the writing of the first account extensive enough to be the subject of detailed analysis. The end date (1911) marks the beginning of the Italian occupation of Libya, when responsibility for archaeology was entrusted to the greatest Italian specialists of the period. Travelogues were replaced by scholarly studies featuring both well-known and newly discovered sites, while amateur descriptions and drawings were replaced by professional analysis and documentation.

The main protagonists of the book are people who travelled to Cyrenaica or stayed there for some time, people of a variety of ages and sorts: physicians and an engineer, priests, soldiers and diplomats, artists and adventurers, scholars and archaeologists. They differed considerably in their education, personalities, itineraries and objectives of their journeys, their wealth and personal circumstances. What they did have in common was great curiosity and courage, love of adventure and the ability to survive in harsh and dangerous conditions – compensated for by unusual discoveries – and, finally, an interest in ancient ruins, which for the purpose of this book is what makes their accounts valuable.

Reviews:

"This is another excellent contribution to the growing number of historiographic accounts of archaeological discoveries in the Mediterranean." – Susan Kane (Journal of Eastern Mediterranean Archaeology and Heritage Studies, Vol 5, No 1, 2017)
Argonauts of the Stone Age Early maritime activity from the first migrations from Africa to the end of the Neolithic by Andrzej Pydyn. viii+255 pages; illustrated throughout in black & white with 11 colour plates. 219 2016. ISBN 9781784911430. £36.00 (No VAT). Book contents pageBuy Now

This is an important book. Too often in the past archaeologists have ignored or underestimated sea travel in early prehistory but the evidence has been growing and now it is presented to us in full in this thought provoking study. No longer can those interested in the human achievement neglect to take into account the astonishing achievements of our palaeolithic, mesolithic and neolithic ancestors.

This book gives a full account of stone age seafaring presenting the archaeological evidence in the context of the changing world environment and uses ethnographic sources to broaden the readers understanding of the worlds earliest sea craft. It is essential reading for all concerned to understand the human condition. – Professor Sir Barry Cunliffe, Oxford

The book is a comprehensive study of early navigation and its place in the development of human culture from the earliest times to the late Stone Age. This subject is very timely in light of increasing archaeological and palaeoanthropological evidence that the maritime environment had been mastered in prehistory. As the author rightly points out at the beginning of his book, the maritime environment can no longer be marginalised when portraying both hunter-gatherer and early agrarian prehistoric communities.

The book is a valuable and inspiring work on a subject which had hitherto not enjoyed such in-depth treatment. It greatly enhances our perception of the beginnings of human culture and enriches it with comprehensive, convincing arguments that the maritime environment had been mastered by early humans. I congratulate the author on the effect he has achieved and on unearthing so many chronologically, geographically and thematically diverse sources. – Prof. Paweł Valde-Nowak, Jagiellonian University, Krakow

The title of the book intrigues the reader and promises a fascinating read about issues approached from an innovatively broad perspective. Both the global territorial scope and the chronological range covering almost two million years of human cultural development are worthy of note. What we have here is an aspect of human activity which is often neglected and marginalised in scientific research, which is that directly related to the sea. The fact that up to 90% of Pleistocene coasts, which were after all heavily populated in the Stone Age, have been flooded in modern times is not conducive to large-scale research, as underlined by the author in the Introduction.

The beginnings of human activity on the high seas are the subject of research in numerous scientific disciplines, all of which are discussed here. In writing this book the author has drawn on an exceptionally wide range of literature, mostly in English, owing to which the author’s own views, as well as those of other researchers whom he cites, are credible and convincing. – Dr hab. Krzysztof Cyrek, professor of Nicolaus Copernicus University, Toruń

Reviews

‘…Pydyn makes a compelling case that pre-Homo sapiens may have utilized water transport technology. Even the use of natural floats was perhaps “culturally enriched,” meaning that our ancestors consciously affected the direction of drifting or floating. He also argues that studies of early maritime activity have demonstrated the research potential of the continental shelf, because many Paleolithic and Neolithic sites are likely underwater… Argonauts of the Stone Age is a well-illustrated and engaging addition to the recent volumes on early seafaring and maritime activities.’ – Katelyn Dibenedetto, University of Nevada (Journal Of Eastern Mediterranean Archaeology And Heritage Studies, Vol 5, Nos 3-4, 2017)

Fish-salting in the northwest Maghreb in antiquity A Gazetteer of Sites and Resources by Athena Trakadas. xi+159 pages; illustrated throughout in black & white. 200 2015. Available both in printed and e-versions. Printed ISBN 9781784912413. £34.00 (No VAT). Epublication ISBN 9781784912420. £15.83 (Exc. VAT) Institutional Price £34.00 (Exc. UK VAT) Book contents pageBuy Now

This volume is a detailed gazetteer of fish-salting production in the northwest Maghreb in antiquity. It consists of a catalogue of fish-salting sites in addition to catalogues of other related resources that are necessary for the production and trans-shipment of the industry’s products: salt and amphorae kilns. The gazetteer is intended to serve as a comprehensive source book, and as such, it builds upon previous studies and current research on the region’s fish-salting industry.
La production de la céramique antique dans la région de Salakta et Ksour Essef (Tunisie) by Jihen Nacef. viii+256 pages; illustrated throughout. French text with English abstract. 180 2015 Roman and Late Antique Mediterranean Pottery 8. Available both in printed and e-versions. Printed ISBN 9781784911720. £45.00 (No VAT). Epublication ISBN 9781784911737. £15.83 (Exc. VAT) Institutional Price £45.00 (Exc. UK VAT) Book contents pageBuy Now

This publication provides the most updated information on the ceramic production (amphorae, cooking and coarse wares, ceramic building materials) of Salakta and the Ksour Essef district, in the Sahel region of Tunisia, from the 3rd century BC to the 7th century AD. This book deals with the history and the archaeology of Sullecthum/Salakta, the typology of the ceramic production (mainly amphorae), the chronology and the location of the workshops, the amphora stamps and contents, the distribution in the Mediterranean, and the organisation of production and trade. The author is Lecturer at the Institut Supérieur des Etudes Appliquées en Humanités de Mahdia (University of Monastir, Tunisia).
Répertoire de fleurons sur bandeaux de lampes africaines type Hayes II by Jean Bussière and Jean Claude Rivel. ii+138 pages; illustrated throughout in black & white. French text. 164 2015. Available both in printed and e-versions. Printed ISBN 9781784911560. £28.00 (No VAT). Epublication ISBN 9781784911577. £15.83 (Exc. VAT) Institutional Price £28.00 (Exc. UK VAT) Book contents pageBuy Now

A comprehensive repertory of the stamps decorating the rims of Christian African lamps. This volume will be an indispensable tool to Mediterranean archaeologists for identifying even small fragments of lamps.

French description:
Fruit d’un travail de plus de dix ans ce répertoire de 1383 fleurons sur bandeaux de lampes Hayes II marque une avancée significative par rapport aux onze répertoires existants. Celui d’Ennabli, le plus souvent utilisé avec ses 126 fleurons seulement, ne répond pas toujours aux attentes du chercheur. Les auteurs présentent leur classement alphanumérique et justifient leur choix de rendre les reliefs des dessins en noir et les creux en blanc contrairement à la convention qui pour les dessins de décors sur céramique inverse ces valeurs : les fleurons de lampes Hayes II, issus de moules d’appliques, sont en relief et rendre leur contour en blanc suppose nécessairement un trait de contour en noir qui souvent prête à confusion. Ceci est particulièrement visible dans le cas de cercles concentriques ou de damiers. Une base de données entrant plus de 5000 lampes Hayes II dont les fleurons ont été identifiés grâce au répertoire, permet, en faisant jouer l’association des décors de disques avec ceux des bandeaux et avec les provenances, d’ouvrir d’intéressantes perspectives de recherches ultérieures sur les productions des grands ateliers tunisiens actuellement connus.
I vetri del Museo archeologico di Tripoli by Sofia Cingolani. ii+182 pages; illustrated throughout in black & white with 3 colour plates. Italian text. 142 2015 Archaeopress Roman Archaeology 7. Available both in printed and e-versions. Printed ISBN 9781784910945. £33.00 (No VAT). Epublication ISBN 9781784910952. £15.83 (Exc. VAT) Institutional Price £33.00 (Exc. UK VAT) Book contents pageBuy Now

This volume is focused on the cataloguing of glass conserved in the Archaeological Museum of Tripoli. This is so far an unpublished corpus of objects identified from investigations into the necropolis and other burials in Tripoli and its suburbs, in conjunction with the activities of the Italian Government in Libya during the first twenty years of the last century. The main objective of the work is filling the gaps in the state of knowledge concerning the production of glass of the North-African area by providing as complete as possible a documentation on the findings from Oea and its territory.
Alexandria’s Hinterland Archaeology of the Western Nile Delta, Egypt by Mohamed Kenawi. xii+241 pages; illustrated throughout in colour and black & white. 116 2014. Available both in printed and e-versions. Printed ISBN 9781784910143. £48.00 (No VAT). Epublication ISBN 9781784910150. £15.83 (Exc. VAT) Institutional Price £48.00 (Exc. UK VAT) Book contents pageBuy Now

This volume contains detailed information about 63 sites and shows, amongst other things, that the viticulture of the western delta was significant in Ptolemaic and Roman periods, as well as a network of interlocking sites, which connected with the rest of Egypt, Alexandria, North Africa and the Eastern Mediterranean and Aegean. Far from being a border area — as perhaps it had been in the Pharaonic period — the west Delta network exerted an important economic production influence over a very wide area. In addition, with access to medieval and later Arabic sources, Kenawi’s discussion of the sites has an added dimension not found in the work of western scholars. Mohamed Kenawi’s meticulous and determined work has resulted in an improved set of data for the Delta and shown how its potential can be tapped.

'Kenawi's main interest is economic production: wine, olive oil and amphorae in which agricultural products were transported, but he also briefly raises questions about the cultural character of the landscape: was this an essentially Egyptian landscape, with few (urban) pockets of Graeco-Roman culture? Or was the latter more widespread and deep-rooted? Or put another way, what was the extent -and limit- of Alexandria's ability to shape communities of its hinterland?' - Robert Witcher (Antiquity, vol 90:349, February 2016)
Ships, Saints and Sealore: Cultural Heritage and Ethnography of the Mediterranean and the Red Sea edited by Dionisius A. Agius, Timmy Gambin and Athena Trakadas with contributions by Harriet Nash. x+170 pages; illustrated throughout in black and white. 104 2014. Available both in printed and e-versions. Printed ISBN 9781905739950. £32.00 (No VAT). Epublication ISBN 9781905739967. £15.83 (Exc. VAT) Institutional Price £32.00 (Exc. UK VAT) Book contents pageBuy Now

Just as the sea has played a pivotal role in the connectivity of people, economies and cultures, it has also provided a common platform for inter-disciplinary cooperation amongst academics. This book is a selection of conference papers and other contributions that has seen the coming-together of scholars and researchers from backgrounds as diverse as archaeology, history, ethnography, maritime and heritage studies of the Mediterranean and the Red Sea. Its strength lies in the way such diversity has been harnessed to provide an engaging and insightful study of the sea and its influences on various factors of life - both past and present.
The Travel Chronicles of Mrs. J. Theodore Bent. Volume II: The African Journeys Mabel Bent's diaries of 1883-1898, from the archive of the Joint Library of the Hellenic and Roman Societies, London. Paperback. xxxii+344 pages, with maps and illustrations. Edited and with additional material by Gerald Brisch. Extended contributions by Innocent Pikirayi and William J. Dewey. 3rdguides 47 2012 3rdGuides - Archaeopress Travel 7. Available both in printed and e-versions. Printed ISBN 9781905739370. £27.50 (No VAT). Epublication ISBN 9781784913267. £16.00 (Exc. VAT) Institutional Price £27.50 (Exc. UK VAT) Book contents pageBuy Now

“At last we reached a circular enclosure among the grass and scanty trees. We rushed in and it was like getting into a tropical greenhouse with the roof off. There were tall trees and long creepers making monkey ropes, large flowers hanging, great cactus trees, aloes and all sorts of beautiful things crowded together, so that one could hardly squeeze through. I should have liked to stop and stare at the vegetation but on we rushed, over walls and to the tower we had heard of, which is close to the outer wall. We did not stay even to walk round the tower but out we rushed again, like people who were taking a stolen look into an enchanted garden and were afraid of being bewitched if we remained… It was quite dark and we had to be guided by shouts to our camp and got home in a state of great wonder and delight and hope of profitable work and full assurance of the great antiquity of the ruins. Theodore was not very well and had to take quinine.” [M.V.A. Bent, 4 June 1891]

Thus a few lines from Mabel (Mrs J. Theodore) Bent’s 1891 African travel diary on her arrival at ‘Great Zimbabwe’ (in present-day Zimbabwe), written for her family, serve to evoke the romance and hardships of colonial exploration for a Victorian audience. Of particular importance are Mabel’s previously unpublished notebooks covering the couple’s arduous wagon trek to these famous ruins, in part sponsored by the ambitious Cecil Rhodes. Theodore Bent’s interpretations of these wonderful monuments sparked a controversy (one of several this maverick archaeologist was involved in over his short career) that still divides scholars today. Mabel Bent was probably the first woman to visit there and help document this major site. As tourists in Egypt and explorers in the Sudan, Ethiopia, and Southern Africa, anyone interested in 19th-century travel will want to follow the wagon tracks and horse trails of the Bents across hundreds of miles of untouched African landscape.

Contents: Personal diaries, travel accounts and letters relating to the Bents’ travels and explorations in: Egypt (1885); Zimbabwe (1891); Ethiopia (1893); Sudan (1896); Egypt (1898). Includes extended contributions on the archaeological background to ‘Great Zimbabwe’ by Innocent Pikirayi, and ‘The Stone Birds of Great Zimbabwe’ by William J. Dewey. Additional documents, maps, and Mabel Bent’s own photographs contribute to this important insight into the lives of two of the great British travellers of the nineteenth century.

The Travel Chronicles of Mrs J. Theodore Bent. Mabel Bent's diaries of 1883-1898, from the archive of the Joint Library of the Hellenic and Roman Societies, London. Published in three volumes: Volume I – Greece and the Levantine Littoral (2006); Volume II: The African Journeys (2012); Vol III – Southern Arabia and Persia (2010).

"...Brisch and Archaeopress have done a major service by reproducing these hidden gems and rescuing Mabel Bent from relative obscurity. This collection is a valuable primary source and will be of immense interest to those interested in female travelogues, historical archaeology, or the daily experiences of European women in colonial Africa." (Reviewed in 'Journal of African History', Vol. 55/2, 2014, 296-298)

"Mabel’s husband, Theodore [Bent], made notable archaeological contributions in several of the areas in which he travelled and worked. But he was also a controversial figure and no more so than for his work at Great Zimbabwe…The present volume is particularly fascinating as it contains Mabel’s chronicles of the couple’s time in what was then Mashonaland (Zimbabwe)…" (Reviewed in 'Antiquity', Vol. 88, Number 342, December 2014, p. 1357)